The world in-between : cinematography
| buir.advisor | Erdoğan, Nezih | |
| dc.contributor.author | Yavuz, Nur | |
| dc.date.accessioned | 2016-01-08T20:17:01Z | |
| dc.date.available | 2016-01-08T20:17:01Z | |
| dc.date.issued | 2000 | |
| dc.description | Cataloged from PDF version of article. | en_US |
| dc.description | Includes bibliographical references. | en_US |
| dc.description.abstract | And cinema. The importance of saying and... and...and.... Images neither starts nor ends, they occupy the in-between. Cinema and philosophy come together to show the power of the in-between. Images understood as such are neither psychoanalytic nor linguistic determinants. The immanent flow of images with its undetermined intervals is what enables us to contemplate on time and movement and memory and consciousness and percepts and affects... And philosophy. | en_US |
| dc.description.statementofresponsibility | Yavuz, Nur | en_US |
| dc.format.extent | 97 leaves | en_US |
| dc.identifier.uri | http://hdl.handle.net/11693/18180 | |
| dc.language.iso | English | en_US |
| dc.rights | info:eu-repo/semantics/openAccess | en_US |
| dc.subject | cinema and philosophy | en_US |
| dc.subject | perception | en_US |
| dc.subject | consciousness | en_US |
| dc.subject | interval | en_US |
| dc.subject | memory | en_US |
| dc.subject | movement-image | en_US |
| dc.subject | time-image | en_US |
| dc.subject.lcc | PN1995 .Y38 2000 | en_US |
| dc.subject.lcsh | Motion pictures--Philosophy. | en_US |
| dc.title | The world in-between : cinematography | en_US |
| dc.type | Thesis | en_US |
| thesis.degree.discipline | Fine Arts | |
| thesis.degree.grantor | Bilkent University | |
| thesis.degree.level | Master's | |
| thesis.degree.name | MFA (Master of Fine Arts) |
Files
Original bundle
1 - 1 of 1
Loading...
- Name:
- B055729.pdf
- Size:
- 2.1 MB
- Format:
- Adobe Portable Document Format
- Description:
- Full printable version