The world in-between : cinematography
buir.advisor | Erdoğan, Nezih | |
dc.contributor.author | Yavuz, Nur | |
dc.date.accessioned | 2016-01-08T20:17:01Z | |
dc.date.available | 2016-01-08T20:17:01Z | |
dc.date.issued | 2000 | |
dc.department | Department of Graphic Design | en_US |
dc.description | Ankara : The Department of Graphic Design and The Institute of Fine Arts of Bilkent University, 2000. | en_US |
dc.description | Thesis (Master's) -- Bilkent University, 2000. | en_US |
dc.description | Includes bibliographical references. | en_US |
dc.description.abstract | And cinema. The importance of saying and... and...and.... Images neither starts nor ends, they occupy the in-between. Cinema and philosophy come together to show the power of the in-between. Images understood as such are neither psychoanalytic nor linguistic determinants. The immanent flow of images with its undetermined intervals is what enables us to contemplate on time and movement and memory and consciousness and percepts and affects... And philosophy. | en_US |
dc.description.degree | M.F.A. | en_US |
dc.description.statementofresponsibility | Yavuz, Nur | en_US |
dc.format.extent | 97 leaves | en_US |
dc.identifier.uri | http://hdl.handle.net/11693/18180 | |
dc.language.iso | English | en_US |
dc.publisher | Bilkent University | en_US |
dc.rights | info:eu-repo/semantics/openAccess | en_US |
dc.subject | cinema and philosophy | en_US |
dc.subject | perception | en_US |
dc.subject | consciousness | en_US |
dc.subject | interval | en_US |
dc.subject | memory | en_US |
dc.subject | movement-image | en_US |
dc.subject | time-image | en_US |
dc.subject.lcc | PN1995 .Y38 2000 | en_US |
dc.subject.lcsh | Motion pictures--Philosophy. | en_US |
dc.title | The world in-between : cinematography | en_US |
dc.type | Thesis | en_US |
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