Cinematic realism and digital special effects in Hollywood cinema
| buir.advisor | Özgüç, Bülent | |
| dc.contributor.author | Güney, Tolga | |
| dc.date.accessioned | 2016-01-08T20:12:56Z | |
| dc.date.available | 2016-01-08T20:12:56Z | |
| dc.date.issued | 1996 | |
| dc.description | Cataloged from PDF version of article. | en_US |
| dc.description | Includes bibliographical refences. | en_US |
| dc.description.abstract | This thesis attempts to understand changing conceptions of realism in entertainment cinema by the emergence of digital special effects as an implication of new modes of production in contemporary Hollywood cinema. It focuses on the reflexive, intertextual, and hyperreal characteristics of contemporary Hollywood films. It also includes a brief overview of technological history of special effects in Hollywood cinema | en_US |
| dc.description.statementofresponsibility | Güney, Tolga | en_US |
| dc.format.extent | 133 leaves | en_US |
| dc.identifier.uri | http://hdl.handle.net/11693/17733 | |
| dc.language.iso | English | en_US |
| dc.rights | info:eu-repo/semantics/openAccess | en_US |
| dc.subject | Special Effects | en_US |
| dc.subject | Digital Special Effects | en_US |
| dc.subject | Classical Hollywood Cinema | en_US |
| dc.subject | The New Hollywood Cinema | en_US |
| dc.subject.lcc | TR858 .G86 1996 | en_US |
| dc.subject.lcsh | Cinematography Special effects. | en_US |
| dc.title | Cinematic realism and digital special effects in Hollywood cinema | en_US |
| dc.type | Thesis | en_US |
| thesis.degree.discipline | Fine Arts | |
| thesis.degree.grantor | Bilkent University | |
| thesis.degree.level | Master's | |
| thesis.degree.name | MFA (Master of Fine Arts) |
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