Cinematic realism and digital special effects in Hollywood cinema
Date
1996
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Bilkent University
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Language
English
Type
Thesis
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Abstract
This thesis attempts to understand changing conceptions of realism in entertainment cinema by the emergence of digital special effects as an implication of new modes of production in contemporary Hollywood cinema. It focuses on the reflexive, intertextual, and hyperreal characteristics of contemporary Hollywood films. It also includes a brief overview of technological history of special effects in Hollywood cinema
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Special Effects, Digital Special Effects, Classical Hollywood
Cinema, The New Hollywood Cinema