Cinematic realism and digital special effects in Hollywood cinema
Date
1996
Authors
Editor(s)
Advisor
Özgüç, Bülent
Supervisor
Co-Advisor
Co-Supervisor
Instructor
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Abstract
This thesis attempts to understand changing conceptions of realism in entertainment cinema by the emergence of digital special effects as an implication of new modes of production in contemporary Hollywood cinema. It focuses on the reflexive, intertextual, and hyperreal characteristics of contemporary Hollywood films. It also includes a brief overview of technological history of special effects in Hollywood cinema
Source Title
Publisher
Course
Other identifiers
Book Title
Degree Discipline
Fine Arts
Degree Level
Master's
Degree Name
MFA (Master of Fine Arts)
Citation
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Published Version (Please cite this version)
Language
English