The ethical turn and cinema : politics and aesthetics of Jacques Rancière

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buir.advisorGürata, Ahmet
dc.contributor.authorKamiloğlu, Ozan
dc.date.accessioned2016-01-08T18:13:04Z
dc.date.available2016-01-08T18:13:04Z
dc.date.issued2011
dc.descriptionAnkara : The Department of Communication and Design and the Institute of Economics and Social Sciences of İhsan Doğramacı Bilkent University, 2011.en_US
dc.descriptionThesis (Master's) -- Bilkent University, 2011.en_US
dc.descriptionIncludes bibliographical references leaves 91-95.en_US
dc.description.abstractFrench philosopher Jacques Rancière has worked on wide range of topics including democracy, literature, the visual arts, particularly film. After translation of his works to English, he found a wide audience and academic interest. His works are based on mostly a new understanding of equality, which gives him chance to approach both politics and aesthetics from similar point of views. This thesis aims at gaining an insight the relation between political and aesthetic theory of Rancière and to understand reflections of his notion of the ethical turn, on cinema. The ethical turn points a certain aspect of the changes in politics and aesthetics after the fall of the Soviets. This thesis aims to investigate this new ethics in cinema that emerged after the ethical turn. With this aim, the thesis scans the theories of politics and aesthetics and their relation with the ethical turn in different works of Rancière and searches for the interdependent changes in politics and aesthetics after the ethical turn. This analysis permits a new reading of Alfonso Cuarón's Children of Men (2006).The reading of Children of Men alongside of an analysis of reflections of the ethical turn in cinema, opens a room for catching the motives of the ethical turn in the world order after the ethical turnen_US
dc.description.provenanceMade available in DSpace on 2016-01-08T18:13:04Z (GMT). No. of bitstreams: 1 0004048.pdf: 653094 bytes, checksum: a9f82154db354dbc6896e9f540d6e73e (MD5)en
dc.description.statementofresponsibilityKamiloğlu, Ozanen_US
dc.format.extentix, 96 leaves, illustrationsen_US
dc.identifier.itemidB128597
dc.identifier.urihttp://hdl.handle.net/11693/15089
dc.language.isoEnglishen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectThe Ethical Turnen_US
dc.subjectPoliticsen_US
dc.subjectAestheticsen_US
dc.subjectJacques Rancièreen_US
dc.subjectChildren of Menen_US
dc.subject.lccPN1995 .K35 2011en_US
dc.subject.lcshMotion pictures--Philosophy.en_US
dc.subject.lcshAesthetics--Political aspects.en_US
dc.subject.lcshPolitical science--Philosophy.en_US
dc.titleThe ethical turn and cinema : politics and aesthetics of Jacques Rancièreen_US
dc.typeThesisen_US
thesis.degree.disciplineMedia and Visual Studies
thesis.degree.grantorBilkent University
thesis.degree.levelMaster's
thesis.degree.nameMA (Master of Arts)

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