Revolution of open source and film making towards open film making
buir.advisor | Treske, Andreas | |
dc.contributor.author | Löker, Koray | |
dc.date.accessioned | 2016-01-08T18:05:22Z | |
dc.date.available | 2016-01-08T18:05:22Z | |
dc.date.issued | 2008 | |
dc.description | Cataloged from PDF version of article. | en_US |
dc.description | Includes bibliographical references leaves 74-80. | en_US |
dc.description.abstract | This thesis is a critical analysis of self-proclaimed open source movie projects, Elephants Dream and The Digital Tipping Point. The theoretical framework derived from the new media discourse on film making, mainly based on Lev Manovich's database narrative and spatial montage theories among a detailed reading on database narrative with theoretical works and publications by Marsha Kinder, Allan Cameron, and Ed Folsom. | en_US |
dc.description.statementofresponsibility | Löker, Koray | en_US |
dc.format.extent | x, 87 leaves | en_US |
dc.identifier.itemid | BILKUTUPB109240 | |
dc.identifier.uri | http://hdl.handle.net/11693/14696 | |
dc.language.iso | English | en_US |
dc.rights | info:eu-repo/semantics/openAccess | en_US |
dc.subject | Free software | en_US |
dc.subject | Open source | en_US |
dc.subject | Copyleft | en_US |
dc.subject | Database narrative | en_US |
dc.subject | Spatial montage | en_US |
dc.subject | Elephants dream | en_US |
dc.subject.lcc | PN1995.9.P7 L65 2008 | en_US |
dc.subject.lcsh | Motion pictures--Production and direction. | en_US |
dc.subject.lcsh | Technology in motion pictures. | en_US |
dc.title | Revolution of open source and film making towards open film making | en_US |
dc.type | Thesis | en_US |
thesis.degree.discipline | Media and Visual Studies | |
thesis.degree.grantor | Bilkent University | |
thesis.degree.level | Master's | |
thesis.degree.name | MA (Master of Arts) |
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