Revolution of open source and film making towards open film making
Date
2008
Authors
Editor(s)
Advisor
Treske, Andreas
Supervisor
Co-Advisor
Co-Supervisor
Instructor
Source Title
Print ISSN
Electronic ISSN
Publisher
Volume
Issue
Pages
Language
English
Type
Journal Title
Journal ISSN
Volume Title
Series
Abstract
This thesis is a critical analysis of self-proclaimed open source movie projects, Elephants Dream and The Digital Tipping Point. The theoretical framework derived from the new media discourse on film making, mainly based on Lev Manovich's database narrative and spatial montage theories among a detailed reading on database narrative with theoretical works and publications by Marsha Kinder, Allan Cameron, and Ed Folsom.
Course
Other identifiers
Book Title
Keywords
Degree Discipline
Media and Visual Studies
Degree Level
Master's
Degree Name
MA (Master of Arts)