Revolution of open source and film making towards open film making

Date

2008

Editor(s)

Advisor

Treske, Andreas

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Co-Supervisor

Instructor

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Volume

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Pages

Language

English

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Journal Title

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Abstract

This thesis is a critical analysis of self-proclaimed open source movie projects, Elephants Dream and The Digital Tipping Point. The theoretical framework derived from the new media discourse on film making, mainly based on Lev Manovich's database narrative and spatial montage theories among a detailed reading on database narrative with theoretical works and publications by Marsha Kinder, Allan Cameron, and Ed Folsom.

Course

Other identifiers

Book Title

Degree Discipline

Media and Visual Studies

Degree Level

Master's

Degree Name

MA (Master of Arts)

Citation

Published Version (Please cite this version)