Revolution of open source and film making towards open film making

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0003556.pdf (366.18 KB)

Date

2008

Authors

Editor(s)

Advisor

Treske, Andreas

Supervisor

Co-Advisor

Co-Supervisor

Instructor

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Abstract

This thesis is a critical analysis of self-proclaimed open source movie projects, Elephants Dream and The Digital Tipping Point. The theoretical framework derived from the new media discourse on film making, mainly based on Lev Manovich's database narrative and spatial montage theories among a detailed reading on database narrative with theoretical works and publications by Marsha Kinder, Allan Cameron, and Ed Folsom.

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Course

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Book Title

Keywords

Free software, Open source, Copyleft, Database narrative, Spatial montage, Elephants dream

Degree Discipline

Media and Visual Studies

Degree Level

Master's

Degree Name

MA (Master of Arts)

Citation

Permalink

http://hdl.handle.net/11693/14696

Published Version (Please cite this version)

Collections

Graduate School of Economics and Social Sciences

Language

English

Type

Thesis