Browsing by Subject "Color vision"
Now showing 1 - 4 of 4
- Results Per Page
- Sort Options
Item Open Access Color vision in humans and computers(IEEE, 2008) Boyacı, Hüseyin; Akarun L.Humans and many other species rely on color for object recognition. What are the biological underpinnings of color vision and how can we computationally model human color perception? In this study we briefly summarize recent advences regarding the very early, retinal stages of color vision, as well as recent behavioral models of color perception in three dimensional world within rich context. We also emphasize the recent events on the neuroimaging front that allow the researchers begin to systematically study the cortical processes related to color vision. ©2008 IEEE.Item Open Access Color‐emotion associations in interiors(Wiley, 2020-02) Güneş, E.; Olguntürk, NilgünEmotional reactions to red, green, blue, and gray colors in a living room were investigated using a self‐report measure. Participants first watched a short video of a 3D model of a living room. Next, they were asked to match the living rooms with facial expressions of six basic emotions. The most stated emotions associated for the red room were disgust and happiness, while the least stated emotions were sadness, fear, anger, and surprise; for the green room, neutral and happiness were the most stated emotions, and anger, surprise, fear, and sadness were the least stated ones; for the blue room, neutral was the most stated emotion, while the least stated emotions were anger and surprise. Neutral, disgust, and sadness were the most stated emotions for the gray room. Gender differences were not found in human emotional reactions to living rooms with different wall colors.Item Open Access Differences in illumination estimation in #thedress(Association for Research in Vision and Ophthalmology Inc., 2017) Toscani, M.; Gegenfurtner, K. R.; Doerschner, K.We investigated whether people who report different colors for #thedress do so because they have different assumptions about the illumination in #thedress scene. We introduced a spherical illumination probe (Koenderink, Pont, van Doorn, Kappers, & Todd, 2007) into the original photograph, placed in fore-, or background of the scene and-for each location-let observers manipulate the probe's chromaticity, intensity and the direction of the illumination. Their task was to adjust the probe such that it would appear as a white sphere in the scene. When the probe was located in the foreground, observers who reported the dress to be white (white perceivers) tended to produce bluer adjustments than observers who reported it as blue (blue perceivers). Blue perceivers tended to perceive the illumination as less chromatic. There were no differences in chromaticity settings between perceiver types for the probe placed in the background. Perceiver types also did not differ in their illumination intensity and direction estimates across probe locations. These results provide direct support for the idea that the ambiguity in the perceived color of the dress can be explained by the different assumptions that people have about the illumination chromaticity in the foreground of the scene. In a second experiment we explore the possibility that blue perceivers might overall be less sensitive to contextual cues, and measure white and blue perceivers' dress color matches and labels for manipulated versions of the original photo. Results indeed confirm that contextual cues predominantly affect white perceivers.Item Open Access Effects of coloured lighting on the perception of interior spaces(SAGE, 2015-02-01) Odabaşioğlu, S.; Olguntürk, N.Use of coloured lighting in interior spaces has become prevalent in recent years. Considerable importance is ascribed to coloured lighting in interior and lighting design. The effects of colour on the perception of interior spaces have been studied as surface colour; but here, the effects of three different types of chromatic light were investigated. The lighting differed in colour (red, green and white) and perceptions of interior space were assessed. 97 participants (59 women, 38 men; M age = 21.4 yr.) evaluated the experiment room on a questionnaire assessing eight evaluative factors: Pleasantness, Arousal, Aesthetics, Usefulness, Comfort, Spaciousness, Colour, and Lighting quality. Perceptions of the room differed by colour of lighting for some of the evaluative factors, but there was no sex difference in perceptions. Interior spaces may be perceived as equally pleasant under white, green and red lighting. Under white lighting a space is perceived as more useful, spacious, clear, and luminous. Green lighting would make the same effect. Green and white lighting were perceived equally comfortable in an interior space. Chromatic coloured lighting was perceived to be more aesthetic than white lighting. The results support previous findings for some evaluative factors, but differed for others.