Jean-Luc Godard in Sixties: A Sociological reading of sexuality and politics in the New Wave cinema

buir.advisorErdoğan, Nezih
dc.contributor.authorHossucu, Esin
dc.date.accessioned2016-01-08T20:17:34Z
dc.date.available2016-01-08T20:17:34Z
dc.date.issued2000
dc.descriptionAnkara : The Department of Graphic Design and the Institute of Fine Arts of Bilkent University, 2000.en_US
dc.descriptionThesis (Master's) -- Bilkent University, 2000.en_US
dc.descriptionIncludes bibliographical references leaves 82-85en_US
dc.description.abstractThis study aims to investigate the representation of sexuality in Jean-Luc Godard’s early movies in order to understand the figuration of femininity as well as masculinity in cinema politically. Being in a specific historical context, New Wave cinema is important due to its crucial cinematographic experiments and revolutionary style. This semi-cinematographic analysis of Jean-Luc Godard’s cinema is completed in order to be able to understand the inner mechanisms of cinema from a sociological point of view.en_US
dc.description.provenanceMade available in DSpace on 2016-01-08T20:17:34Z (GMT). No. of bitstreams: 1 1.pdf: 78510 bytes, checksum: d85492f20c2362aa2bcf4aad49380397 (MD5)en
dc.description.statementofresponsibilityHossucu, Esinen_US
dc.format.extent85 leavesen_US
dc.identifier.urihttp://hdl.handle.net/11693/18239
dc.language.isoEnglishen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectThe New Wave Cinemaen_US
dc.subjectdeconstructionen_US
dc.subjectsexual differenceen_US
dc.subject.lccPN1994 .H67 2000en_US
dc.subject.lcshMotion pictures.en_US
dc.subject.lcshNew Wave films.en_US
dc.titleJean-Luc Godard in Sixties: A Sociological reading of sexuality and politics in the New Wave cinemaen_US
dc.typeThesisen_US
thesis.degree.disciplineFine Arts
thesis.degree.grantorBilkent University
thesis.degree.levelMaster's
thesis.degree.nameMFA (Master of Fine Arts)

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