Musical structure analysis, conducting and interpretation guide to Halmammedov Symphony No.1

Abstract

This thesis provides musical structure analysis and conductorial guidance on the performance and interpretation of Nury Halmammedov’s Symphony No.1. The methodology follows deconstruction of the work from macro structures of form and tonal landscapes to microstructures of phrase and musical figures. Textures of the musical language structure are taken apart to reveal dynamic, rhythmic and tonal layering with proofs obtained from the orchestration. The relation of the composer’s musical language with that of traditional Turkmen music is held in focus. Musical context analysis is extended through an insight on the interpretory psychological elements of the work. Guidence on the interpretation of the work from a conductor’s approach is reached through this analysis and definite instructions on conductorial grammer, gestural posture and expressive gestures are offered for each section making up the complete work.