Photography as the writing of light

buir.advisorJohnson, Lewis Keir
dc.contributor.authorAytaç, Olgu
dc.date.accessioned2016-01-08T20:17:22Z
dc.date.available2016-01-08T20:17:22Z
dc.date.issued2000
dc.departmentDepartment of Graphic Designen_US
dc.descriptionAnkara : Department of Graphic Design and the Institute of Fine Arts of Bilkent Univ., 2000.en_US
dc.descriptionThesis (Master's) -- Bilkent University, 2000.en_US
dc.descriptionIncludes bibliographical references leaves 78-85en_US
dc.description.abstractThe purpose of this study is to investigate certain critical approaches to photography and to try to make a re-reading of photographic images, with pursuing some of the reading strategies that French philosopher Jacques Derrida employs in deconstruction. The major aim is to point out the intrinsic features of photographic images which have been foreclosed most of the time, by the discourses established upon it and to trace a possible framework for the experience of images.en_US
dc.description.degreeM.F.A.en_US
dc.description.statementofresponsibilityAytaç, Olguen_US
dc.format.extent85 leavesen_US
dc.identifier.urihttp://hdl.handle.net/11693/18222
dc.language.isoEnglishen_US
dc.publisherBilkent Universityen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectPhotographyen_US
dc.subjectpunctumen_US
dc.subjectdeathen_US
dc.subjectdeconstructionen_US
dc.subjectrealityen_US
dc.subjecttransparencyen_US
dc.subject.lccTR222 .A98 2000en_US
dc.subject.lcshImages, photographic.en_US
dc.subject.lcshPhotography--Philosophy.en_US
dc.subject.lcshPhotographic criticism.en_US
dc.subject.lcshVisual perception.en_US
dc.titlePhotography as the writing of lighten_US
dc.typeThesisen_US
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