An ecofeminist approach on Turkish and American animations
buir.advisor | Peschke, Lutz | |
dc.contributor.author | Dündar, Irmak | |
dc.date.accessioned | 2022-06-09T07:44:03Z | |
dc.date.available | 2022-06-09T07:44:03Z | |
dc.date.copyright | 2022-05 | |
dc.date.issued | 2022-05 | |
dc.date.submitted | 2022-06-08 | |
dc.description | Cataloged from PDF version of article. | en_US |
dc.description | Thesis (Master's): Bilkent University, Department of Communication and Design, İhsan Doğramacı Bilkent University, 2022. | en_US |
dc.description | Includes bibliographical references (leaves 165-179). | en_US |
dc.description.abstract | This thesis aims to analyze and compare four Turkish and four American animations from an ecofeminist perspective. The selected animations from Turkey are Kral Şakir Cumburlop (2021), Pırıl (2019-), Rafadan Tayfa 2: Göbeklitepe (2019), Kötü Kedi Şerafettin (2016) while the animations from the US are Frozen (2013), Avatar: The Last Airbender (2005-2008), She-Ra and the Princesses of Power (2018-2020), Invincible (2021-). Each selected animation is given an age range for the purposes of this research and these ranges indicate which animation pair is compared in terms of ecofeminism concepts. Close reading method is conducted to each animated work with the help of the Bechdel Test as well as the Maisy Test. Regardless of its location or which platform it gets aired, animations have been an important part of people’s entertainment. A concept as relevant and needed as ecofeminism should be researched within animation and its’ related concepts in order to show animation audiences the feminist and ecologically positive world views. | en_US |
dc.description.provenance | Submitted by Betül Özen (ozen@bilkent.edu.tr) on 2022-06-09T07:44:03Z No. of bitstreams: 1 B161016.pdf: 2990799 bytes, checksum: 939e6e54c94dd7a309cb5dc55b87673e (MD5) | en |
dc.description.provenance | Made available in DSpace on 2022-06-09T07:44:03Z (GMT). No. of bitstreams: 1 B161016.pdf: 2990799 bytes, checksum: 939e6e54c94dd7a309cb5dc55b87673e (MD5) Previous issue date: 2022-05 | en |
dc.description.statementofresponsibility | by Irmak Dündar | en_US |
dc.embargo.release | 2022-12-07 | |
dc.format.extent | viii, 180 pages : illustrations ; 30 cm. | en_US |
dc.identifier.itemid | B161016 | |
dc.identifier.uri | http://hdl.handle.net/11693/80673 | |
dc.language.iso | English | en_US |
dc.rights | info:eu-repo/semantics/openAccess | en_US |
dc.subject | Animation | en_US |
dc.subject | Ecofeminism | en_US |
dc.subject | The Bechdel test | en_US |
dc.subject | The Maisy test | en_US |
dc.subject | Kral Şakir Cumburlop | en_US |
dc.subject | Pırıl | en_US |
dc.subject | Rafadan Tayfa 2: Göbeklitepe | en_US |
dc.subject | Kötü Kedi Şerafettin | en_US |
dc.subject | Frozen | en_US |
dc.subject | Avatar: The Last Airbender | en_US |
dc.subject | She-Ra and the Princesses of Power | en_US |
dc.subject | Invincible | en_US |
dc.title | An ecofeminist approach on Turkish and American animations | en_US |
dc.title.alternative | Türk ve Amerikan animasyonlarına ekofeminist bir yaklaşım | en_US |
dc.type | Thesis | en_US |
thesis.degree.discipline | Media and Visual Studies | |
thesis.degree.grantor | Bilkent University | |
thesis.degree.level | Master's | |
thesis.degree.name | MA (Master of Arts) |