The theme of divided consciousness in Ibsen's later plays

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buir.advisorKnight, Leonard
dc.contributor.authorBerk Küsmenoğlu, Tuba
dc.date.accessioned2016-01-08T20:11:37Z
dc.date.available2016-01-08T20:11:37Z
dc.date.issued1994
dc.departmentDepartment of English Language and Literatureen_US
dc.descriptionAnkara : The Faculty of Letters and the Institute of Economics and Social Sciences of Bilkent University, 1994.en_US
dc.descriptionThesis (Master's) -- Bilkent University, 1994.en_US
dc.descriptionIncludes bibliographical references leaves 48-49en_US
dc.description.abstractIbsen employs several techniques in his plays and each of these serves an essential purpose— the examination of the nature of consciousness. Hence, an analysis of this theme is crucial to the better understanding of Ibsen's plays. This study is confined to Ibsen's later plays The Master Builder (1892), Little Evolf (1894), John Gabriel PQrKman (1896) and When We Dead Awaken (1899) which are closely related in their sub-group. These psychologically oriented plays exhibit the concept of 'disintegrated' and the 'split' personality. The 'divided vision of self' in these plays is revealed by the exploration of the concept of 'consciousness'.en_US
dc.description.degreeM.A.en_US
dc.description.statementofresponsibilityKüsmenoğlu, Tuba Berken_US
dc.format.extentv, 49 leavesen_US
dc.identifier.urihttp://hdl.handle.net/11693/17583
dc.language.isoEnglishen_US
dc.publisherBilkent Universityen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subject.lccPT8897.D7 K87 1994en_US
dc.subject.lcshKnowledge of special subject--Drama tecniques.en_US
dc.titleThe theme of divided consciousness in Ibsen's later playsen_US
dc.typeThesisen_US

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