From feminine writing to feminine painting

buir.advisorDjikia, Alexander
dc.contributor.authorTokdemir, Itır
dc.date.accessioned2016-07-01T11:08:39Z
dc.date.available2016-07-01T11:08:39Z
dc.date.issued2006
dc.descriptionCataloged from PDF version of article.en_US
dc.description.abstractThis thesis derives form Hélène Cixous’ conception of “l’écriture féminine”. Using this concept, art works created by Marina Abramovic and Tracey Emin were analyzed. In relation to the concept of “l’écriture féminine”, an attempt at “la péinture feminine” is proposed. Under the concept of “la péinture feminine” art works were created.en_US
dc.description.provenanceMade available in DSpace on 2016-07-01T11:08:39Z (GMT). No. of bitstreams: 1 0003207.pdf: 2468066 bytes, checksum: 726516f287da3c4f66e76c954754cd7a (MD5) Previous issue date: 2006en
dc.description.statementofresponsibilityTokdemir, Itıren_US
dc.format.extentviii, 71 leaves, illustrationsen_US
dc.identifier.itemidBILKUTUPB099857
dc.identifier.urihttp://hdl.handle.net/11693/29911
dc.language.isoEnglishen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectFeminine writingen_US
dc.subjectSexual differenceen_US
dc.subjectPhallogocentric languageen_US
dc.subjectBodyen_US
dc.subject.lccND1460.W65 T65 2006en_US
dc.subject.lcshWomen in art.en_US
dc.titleFrom feminine writing to feminine paintingen_US
dc.typeThesisen_US
thesis.degree.disciplineFine Arts
thesis.degree.grantorBilkent University
thesis.degree.levelMaster's
thesis.degree.nameMFA (Master of Fine Arts).

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