Pentagram as a candidate of national patrimony
| dc.citation.epage | 59 | en_US |
| dc.citation.issueNumber | 75 | en_US |
| dc.citation.spage | 55 | en_US |
| dc.citation.volumeNumber | 10 | en_US |
| dc.contributor.author | Pelvanoğlu, E. | en_US |
| dc.date.accessioned | 2016-02-08T10:11:03Z | |
| dc.date.available | 2016-02-08T10:11:03Z | |
| dc.date.issued | 2007 | en_US |
| dc.department | Department of Turkish Literature | en_US |
| dc.description.abstract | The Pentagram which is commonly known as one of the best heavy metal bands of Turkey made an authentic style with their third album Anatolia. After this album, the band realized Unspoken (2001) and Bir (2002) and firm its style up. Pentagram's musical journey also contains interesting data about development of Turkish music. This article will try to analyze the Pentagram's musical development especially their last studio album Bir in the field of folklore with the notion of "National Patrimony". | en_US |
| dc.identifier.issn | 13003984 | |
| dc.identifier.uri | http://hdl.handle.net/11693/23262 | |
| dc.language.iso | Turkish | en_US |
| dc.source.title | Milli Folklor | en_US |
| dc.subject | Folk music | en_US |
| dc.subject | Heavy metal | en_US |
| dc.subject | National patrimony | en_US |
| dc.subject | Pentagram | en_US |
| dc.title | Pentagram as a candidate of national patrimony | en_US |
| dc.title.alternative | Merkezdeki çevrenin müziği; ḃir ulusal kalit adayi: Pentagram | en_US |
| dc.type | Article | en_US |
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