Gilles Deleuze's philosophy of art : the cruelty of affect
buir.advisor | Mutman, Mahmut | |
dc.contributor.author | Eken, Bulent | |
dc.date.accessioned | 2016-01-08T20:04:30Z | |
dc.date.available | 2016-01-08T20:04:30Z | |
dc.date.issued | 1999 | |
dc.description | Cataloged from PDF version of article. | en_US |
dc.description | Includes bibliographical references leaves 81-84. | en_US |
dc.description.abstract | In this work the influential contemporary French philosopher Gilles Deleuze' s aesthetic theory has been analysed with regard to its philosophical origins. Baruch Spinoza, whose influence is felt in the whole of Deleuze' s ouevre, proves to be the basic figure of his approach to art as well. Gilles Deleuze sets out to formulate a vitalist theory of art, the scope of which requires that the categories of judgement and reception be displaced. This scope situates artistic activity in a generalised creativity, where reception and judgement find their places as points of break and tension which could still be examined within the system of creation. | en_US |
dc.description.statementofresponsibility | Eken, Bulent | en_US |
dc.format.extent | vi, 84 leaves | en_US |
dc.identifier.uri | http://hdl.handle.net/11693/16974 | |
dc.language.iso | English | en_US |
dc.rights | info:eu-repo/semantics/openAccess | en_US |
dc.subject | Affect | en_US |
dc.subject | Spinoza | en_US |
dc.subject | debt | en_US |
dc.subject | judgement, | en_US |
dc.subject | regimes of sings | en_US |
dc.subject | reception | en_US |
dc.subject.lcc | B2430.D452 E34 1999 | en_US |
dc.subject.lcsh | Philosophy. | en_US |
dc.subject.lcsh | Aesthetics. | en_US |
dc.title | Gilles Deleuze's philosophy of art : the cruelty of affect | en_US |
dc.type | Thesis | en_US |
thesis.degree.discipline | Fine Arts | |
thesis.degree.grantor | Bilkent University | |
thesis.degree.level | Master's | |
thesis.degree.name | MFA (Master of Fine Arts) |
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