Ahmet Mithat Efendi'de mizahın toplumsal cinsiyeti

buir.advisorHalman, Talât Sait
dc.contributor.authorKekeç, Nuran
dc.date.accessioned2016-01-08T20:18:13Z
dc.date.available2016-01-08T20:18:13Z
dc.date.issued2014
dc.descriptionAnkara : Türk Edebiyatı Bölümü, İhsan Doğramacı Bilkent Üniv., 2014.en_US
dc.descriptionThesis (Master's) -- Bilkent University, 2014.en_US
dc.descriptionIncludes bibliographical references.en_US
dc.description.abstractAhmet Mithat Efendi, one of the most prolific writers of the establishment phase of modern literature, depicts an age of political and social transformation, while also producing the first examples of novels and stories. In reflection of his social responsibility consciousness, this writer discusses in his texts the necessity of building a society according to neo-traditional forms, without departing from the principle of “useful information”. Acknowledging the advantages of popularization Ahmet Mithat Efendi takes advantage of opportunities provided by the media, in his production of series of novels and stories which depict his view of ideal social order and his conceptualization of modern identities for both men and women. Through such works, and by using media as a channel, he aims to be accessible to all sectors of society and share his views on ideal traditional-modern femininity – masculinity forms. In other words, while reproducing tradition according to Western criteria, his primary goal is to reorganize gender relations. Features of traditional narration function as a vehicle for the author, onto which he transposes the images of men and women who will lead society. Thus, Ahmet Mithat Efendi, aware of the limitations of his contemporary readership and of traditional forms of narrative, inserted his view of ideal gender roles into fictional texts. The writer employs humor for the purpose of combining his view of a new social order with gender identity in his literary texts. Humorous elements contribute both to constructing the text and to determining an ideal gender perception; people and phenomena, though depicted in humorous ways, display a social acceptance of gender roles. In this context, during the Tanzimat period the behavior of the Ottoman citizen and readers’ perceptions of gender identities are shaped according to Western norms Ahmet Mithat Efendi promotes such influences within his fictional works of and he uses humor as a tool to help convince his readership of his ideas.en_US
dc.description.provenanceMade available in DSpace on 2016-01-08T20:18:13Z (GMT). No. of bitstreams: 1 1.pdf: 78510 bytes, checksum: d85492f20c2362aa2bcf4aad49380397 (MD5)en
dc.description.statementofresponsibilityKekeç, Nuranen_US
dc.format.extentvii, 125 leavesen_US
dc.identifier.urihttp://hdl.handle.net/11693/18317
dc.language.isoEnglishen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectAhmet Mithat Efendien_US
dc.subjectModernizationen_US
dc.subjectGenderen_US
dc.subjectHumoren_US
dc.subject.lccPL248.A3173 K45 2014en_US
dc.subject.lcshTurkish literature--19th century--History and criticism.en_US
dc.subject.lcshTurkish wit and humor.en_US
dc.subject.lcshSex role in literature.en_US
dc.titleAhmet Mithat Efendi'de mizahın toplumsal cinsiyetien_US
dc.typeThesisen_US
thesis.degree.disciplineTurkish Literature
thesis.degree.grantorBilkent University
thesis.degree.levelMaster's
thesis.degree.nameMA (Master of Arts)

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