Another approach to cinema : Bergson minus Deleuze

buir.advisorAracagök, Zafer
dc.contributor.authorSalman, Selda
dc.date.accessioned2016-07-01T11:01:39Z
dc.date.available2016-07-01T11:01:39Z
dc.date.issued2004
dc.departmentDepartment of Graphic Designen_US
dc.descriptionCataloged from PDF version of article.en_US
dc.description.abstractIn this work, cinema has been investigated philosophically through the ideas of Henri Bergson and Gilles Deleuze, who uses Bergson’s ideas as a basis in his cinema books The Time-Image and The Movement-Image. To clarify the effect of Bergson in Deleuze’s works, a detailed account of Bergsonian philosophy has been investigated. After stating Bergson’s philosophy, the trace of his philosophical terms are revealed in Deleuze’s cinema books, and thereby a critique of Deleuze’s Bergsonian approach has been developed by pointing out that Deleuze does not consider Bergson’s philosophical terms, which are efficient enough to consider cinema philosophically, and implants his own concepts into Bergsonian approach.en_US
dc.description.degreeM.F.A.en_US
dc.description.statementofresponsibilitySalman, Seldaen_US
dc.format.extentvii, 93 leavesen_US
dc.identifier.itemidBILKUTUPB084165
dc.identifier.urihttp://hdl.handle.net/11693/29576
dc.language.isoEnglishen_US
dc.publisherBilkent Universityen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectHenri Bergsonen_US
dc.subjectThe Time-Imageen_US
dc.subjectThe Movement-Imageen_US
dc.subjectIntuitionen_US
dc.subjectFilm philosophyen_US
dc.subjectCinemaen_US
dc.subjectGilles Deleuzeen_US
dc.subject.lccPN1995 .S24 2004en_US
dc.subject.lcshMotion pictures.en_US
dc.titleAnother approach to cinema : Bergson minus Deleuzeen_US
dc.typeThesisen_US
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