Dogma/Dogme 95 : manifesto for contemporary cinema and realism
| buir.advisor | Groch, John Robert | |
| dc.contributor.author | Yalgın, Emre | |
| dc.date.accessioned | 2016-07-01T10:57:28Z | |
| dc.date.available | 2016-07-01T10:57:28Z | |
| dc.date.issued | 2003 | |
| dc.department | Department of Graphic Design | en_US |
| dc.description | Cataloged from PDF version of article. | en_US |
| dc.description.abstract | This study investigates Dogma/Dogme’95, which is the latest collectivism seen in the history of cinema. Thesis explores this newest movement’s references to past and today’s filmmaking in relation to the concept of realism, in order to find out the possible structure of a movement in contemporary cinema. | en_US |
| dc.description.degree | M.F.A. | en_US |
| dc.description.provenance | Made available in DSpace on 2016-07-01T10:57:28Z (GMT). No. of bitstreams: 1 0002310.pdf: 535524 bytes, checksum: 36c77d6675a90f2752d7c7666f5a2f8e (MD5) Previous issue date: 2003 | en |
| dc.description.statementofresponsibility | Yalgın, Emre | en_US |
| dc.format.extent | viii, 89 leaves | en_US |
| dc.identifier.itemid | BILKUTUPB071200 | |
| dc.identifier.uri | http://hdl.handle.net/11693/29307 | |
| dc.language.iso | English | en_US |
| dc.publisher | Bilkent University | en_US |
| dc.rights | info:eu-repo/semantics/openAccess | en_US |
| dc.subject | Dogma’95 | en_US |
| dc.subject | History of Cinema | en_US |
| dc.subject | Postmodernism | en_US |
| dc.subject | Realism | en_US |
| dc.subject.lcc | PN1995.9.E96 Y36 2003 | en_US |
| dc.subject.lcsh | Experimental films History and criticism. | en_US |
| dc.title | Dogma/Dogme 95 : manifesto for contemporary cinema and realism | en_US |
| dc.type | Thesis | en_US |
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