Dogma/Dogme 95 : manifesto for contemporary cinema and realism

buir.advisor	Groch, John Robert
dc.contributor.author	Yalgın, Emre
dc.date.accessioned	2016-07-01T10:57:28Z
dc.date.available	2016-07-01T10:57:28Z
dc.date.issued	2003
dc.description	Cataloged from PDF version of article.	en_US
dc.description.abstract	This study investigates Dogma/Dogme’95, which is the latest collectivism seen in the history of cinema. Thesis explores this newest movement’s references to past and today’s filmmaking in relation to the concept of realism, in order to find out the possible structure of a movement in contemporary cinema.	en_US
dc.description.statementofresponsibility	Yalgın, Emre	en_US
dc.format.extent	viii, 89 leaves	en_US
dc.identifier.itemid	BILKUTUPB071200
dc.identifier.uri	http://hdl.handle.net/11693/29307
dc.language.iso	English	en_US
dc.rights	info:eu-repo/semantics/openAccess	en_US
dc.subject	Dogma’95	en_US
dc.subject	History of Cinema	en_US
dc.subject	Postmodernism	en_US
dc.subject	Realism	en_US
dc.subject.lcc	PN1995.9.E96 Y36 2003	en_US
dc.subject.lcsh	Experimental films History and criticism.	en_US
dc.title	Dogma/Dogme 95 : manifesto for contemporary cinema and realism	en_US
dc.type	Thesis	en_US
thesis.degree.discipline	Fine Arts
thesis.degree.grantor	Bilkent University
thesis.degree.level	Master's
thesis.degree.name	MFA (Master of Fine Arts)

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