The effect of the traditional Turkish Theater as it is observed in "Efsuncu Baba"
| dc.citation.epage | 37 | en_US |
| dc.citation.issueNumber | 59 | en_US |
| dc.citation.spage | 31 | en_US |
| dc.citation.volumeNumber | 8 | en_US |
| dc.contributor.author | Dündar, Hülya | en_US |
| dc.date.accessioned | 2016-02-08T10:28:29Z | |
| dc.date.available | 2016-02-08T10:28:29Z | |
| dc.date.issued | 2003 | en_US |
| dc.department | Department of Turkish Literature | en_US |
| dc.description.abstract | In this paper, the effects of Karagöz, ortaoyunu, and meddah-like narration are displayed in Hüseyin Rahmi Gürpinar's novel, that is called Efsuncu Baba. The parallelism between the novel in question and the traditional theater is explored mainly in five parts: The narrator, characters, subject-matter, structure and language. | en_US |
| dc.identifier.issn | 1300-3984 | |
| dc.identifier.uri | http://hdl.handle.net/11693/24380 | |
| dc.language.iso | Turkish | en_US |
| dc.source.title | Milli Folklor | en_US |
| dc.subject | Efsuncu Baba | en_US |
| dc.subject | Karagöz | en_US |
| dc.subject | Meddah | en_US |
| dc.subject | Oral tradition | en_US |
| dc.subject | Ortaoyunu | en_US |
| dc.title | The effect of the traditional Turkish Theater as it is observed in "Efsuncu Baba" | en_US |
| dc.title.alternative | Efsuncu baba'da geleneksel Türk Tiyatrosunun etkisi | en_US |
| dc.type | Article | en_US |
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