The end of film theory and the task of film interpretation : a pathway to the philosophical turn

buir.advisorGürata, Ahmet
dc.contributor.authorAydınlı, Sinem
dc.departmentDepartment of Communication and Designen_US
dc.descriptionAnkara : The Department of Communication and Design and the Institute of Economics and Social Sciences of İhsan Doğramacı Bilkent University, 2011.en_US
dc.descriptionThesis (Master's) -- Bilkent University, 2011.en_US
dc.descriptionIncludes bibliographical references leaves 109-114.en_US
dc.description.abstractThe aim of this study is to interrogate film interpretation in terms of Heideggerian thinking as a pathway for arguments in the history of film theory via the idea of “happening” in the art. For this reason, the “happening of truth” is considered in terms of its filmic implications. In addition to this, the poetic revealing as a mode of “happening of truth” is questioned via filmic experience by making an analogy with the idea of strife between the earth and the world. Thus, this study also investigates the experience of the audience with respect to its involvement in the film. By walking through this pathway, hermeneutic phenomenology as a method contributes to an understanding of the experience of the audience. In this respect, the idea of film interpretation refers not only to the audience’s dwelling in the film but also to its ontological experience, and so the ontological investigation is triggered via “happening” in the film.en_US
dc.description.statementofresponsibilityAydınlı, Sinemen_US
dc.format.extentx, 114 leaves, illustrationsen_US
dc.publisherBilkent Universityen_US
dc.subjectFilm theoryen_US
dc.subjectFilm and philosophyen_US
dc.subjectHappening of truthen_US
dc.subjectFilm interpretationen_US
dc.subject.lccPN1995 .A93 2011en_US
dc.subject.lcshMotion pictures--Philosophy.en_US
dc.subject.lcshFilm criticism.en_US
dc.titleThe end of film theory and the task of film interpretation : a pathway to the philosophical turnen_US
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