A comparative study on indoor soundscape in museum environments

buir.advisorYılmazer, Semiha
dc.contributor.authorOrhan, Cemre
dc.date.accessioned2019-08-08T07:13:52Z
dc.date.available2019-08-08T07:13:52Z
dc.date.copyright2019-07
dc.date.issued2019-07
dc.date.submitted2019-07-10
dc.descriptionCataloged from PDF version of article.en_US
dc.descriptionThesis (M.S.): Bilkent University, Department of Interior Architecture and Environmental Design, İhsan Doğramacı Bilkent University, 2019.en_US
dc.descriptionIncludes bibliographical references (leaves 97-103).en_US
dc.description.abstractThe aim of this study is to understand how visitors perceive and compare the soundscapes of different museum environments. To reach this goal, physical parameters as acoustic measurements, and perceptual data as questionnaires and interviews were explored in Rahmi M. Koç Museum, and Erimtan Archaeology and Arts Museum. Both museums are located near the main gate of Ankara Castle, which is one of the most historic and cultural part of the city. To find out the acoustical parameters of the case study settings, Equivalent Continuous A-weighted Sound Level (LAeq) was measured in-situ with Bruel & Kjaer 2230 sound level meter, and Speech Transmission Index (STI) and Reverberation Time (T30) were measured with the Odeon Room Acoustics Software 13.01. For the perceptual data, the questionnaires were analyzed by using SPSS program. Interviews were analyzed with the Grounded Theory (GT) method to explore the visitors’ perception towards the indoor soundscapes of museum environments. After analyzing the data of interviews, the conceptual framework was created. This process was completed with the ATLAS.ti Software. Results showed that the soundscapes of the indoor environment cannot be explored only with physical parameters. Results showed that visitors’ perception of soundscape changes according to the theme of the museums, and visitors’ preference of sound environment changes according to the building types.en_US
dc.description.provenanceSubmitted by Betül Özen (ozen@bilkent.edu.tr) on 2019-08-08T07:13:52Z No. of bitstreams: 1 10267224.pdf: 4471962 bytes, checksum: 4428be74dc35bf28b269b3ecd1c9def1 (MD5)en
dc.description.provenanceMade available in DSpace on 2019-08-08T07:13:52Z (GMT). No. of bitstreams: 1 10267224.pdf: 4471962 bytes, checksum: 4428be74dc35bf28b269b3ecd1c9def1 (MD5) Previous issue date: 2019-07en
dc.description.statementofresponsibilityby Cemre Orhanen_US
dc.format.extentxii, 112 leaves : illustrations, charts, plans ; 30 cm.en_US
dc.identifier.itemidB156297
dc.identifier.urihttp://hdl.handle.net/11693/52316
dc.language.isoEnglishen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectAuditory perceptionen_US
dc.subjectConceptual frameworken_US
dc.subjectGrounded theoryen_US
dc.subjectIndoor soundscapesen_US
dc.subjectMuseum environmenten_US
dc.titleA comparative study on indoor soundscape in museum environmentsen_US
dc.title.alternativeMüzelerde işitsel peyzaj üzerine karşılaştırmalı bir çalışmaen_US
dc.typeThesisen_US
thesis.degree.disciplineInterior Architecture and Environmental Design
thesis.degree.grantorBilkent University
thesis.degree.levelMaster's
thesis.degree.nameMFA (Master of Fine Arts).

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