About the artistic and performing features of violin works of Gara Garayev
| buir.advisor | Aykal, Gürer | |
| dc.contributor.author | Ganioğlu, Ceyla | |
| dc.date.accessioned | 2019-06-14T13:00:53Z | |
| dc.date.available | 2019-06-14T13:00:53Z | |
| dc.date.copyright | 2019-05 | |
| dc.date.issued | 2019-05 | |
| dc.date.submitted | 2019-06-13 | |
| dc.department | Department of Music | en_US |
| dc.description | Cataloged from PDF version of thesis. | en_US |
| dc.description | Thesis (M.S.): Bilkent University, Department of Music, İhsan Doğramacı Bilkent University, 2019. | en_US |
| dc.description | Includes bibliographical references (leaves 47-49). | en_US |
| dc.description.abstract | Garayev’s unique talents of music opened a new page in Azerbaijan’s music of 20th century. He adapted an untypical way of making music in which he was able to combine the traditional and the modern type. There are several substances that were brought in music of Azerbaijan by Garayev such as new themes, new images, and new means of composing. He achieved success not only in the areas of the national ballet, choral, and chamber music but also panned out well considering sonata for violin and piano and the violin concerto. These works represents main aspects and characteristics of Garayev’s music like implementation of national traditions while applying new methods of the 20th century, specifically neo-classicism and serial technique. In both sonata for violin and piano and the violin concerto, he reflects a perspective of synthesis of the two musical systems that are the Eastern and the Western. Hidden features of the past reveal while the means of modern music are observable in sonata for violin and piano. That is why, one can claim that Azerbaijani music was enriched by Garavey through his unusual implementations of new modern techniques. The work is shaped by some common features which provides an opportunity to unite all its parts internally in order to create true unity. Individual uniqueness of harmonic language, great quality of linear motions, and polyphonic forms are all used featly by the composer. Hence, while one senses the qualities and characteristics of the national musical language, s/he is able to experience classical and contemporary music in this work. Gara Garayev carries the outputs of the past and conceives an innovative synthesis where those outputs meet present techniques. This synthesis symbolizes the national musical thought with mostly Western patterns of genres and forms. Thus, with his high unmatched genre, in which esthetical principles, rules of traditional, and aspects of modern music such as twelve-tone system exist, Azerbaijan’s music was enriched and transported into a new level. | en_US |
| dc.description.degree | M.A. | en_US |
| dc.description.statementofresponsibility | by Ceyla Ganioğlu | en_US |
| dc.format.extent | vi, 59 leaves : music ; 30 cm. | en_US |
| dc.identifier.itemid | B152444 | |
| dc.identifier.uri | http://hdl.handle.net/11693/52050 | |
| dc.language.iso | English | en_US |
| dc.publisher | Bilkent University | en_US |
| dc.rights | info:eu-repo/semantics/openAccess | en_US |
| dc.subject | Concerto | en_US |
| dc.subject | Folk | en_US |
| dc.subject | Garayev | en_US |
| dc.subject | Mugham | en_US |
| dc.subject | Nationalism | en_US |
| dc.subject | Serial | en_US |
| dc.subject | Sonata | en_US |
| dc.subject | Traditional | en_US |
| dc.subject | Twelve tone | en_US |
| dc.subject | Violin | en_US |
| dc.title | About the artistic and performing features of violin works of Gara Garayev | en_US |
| dc.title.alternative | Keman sanatçısı Kara Karayev’in sanatsal ve performans özellikleri | en_US |
| dc.type | Thesis | en_US |