A review of the "ontology" of photography

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buir.advisorMutman, Mahmut
dc.contributor.authorSevimli, Önder
dc.date.accessioned2016-01-08T20:17:59Z
dc.date.available2016-01-08T20:17:59Z
dc.date.issued2004
dc.descriptionAnkara : The Department of Graphic Design and the Institute of Fine Arts of Bilkent Univ., 2004.en_US
dc.descriptionThesis (Master's) -- Bilkent University, 2004.en_US
dc.descriptionIncludes bibliographical references leaves 125-131.en_US
dc.description.abstractThis study is the culmination of a speculative attempt to understand and restate the enigma of photography. It aims to supplement the thought of photography with a host of concepts that seem to have escaped the scope of the theoretical critique of photography and photographs. In doing so, it follows the lead of the ‘logic’ of the grapheme and of the event of history to review the position of photography in relation to the language of the logic of being, and investigates whether the time of photography can be held in opposition to ‘real time.’ Consequently, the contexts in which contemporary thought on photography restrict the identity of photography are problematized, and the peculiarities involved in the interaction between photographs and viewers are emphasized in this study.en_US
dc.description.provenanceMade available in DSpace on 2016-01-08T20:17:59Z (GMT). No. of bitstreams: 1 1.pdf: 78510 bytes, checksum: d85492f20c2362aa2bcf4aad49380397 (MD5)en
dc.description.statementofresponsibilitySevimli, Önderen_US
dc.format.extentvii, 131 leavesen_US
dc.identifier.urihttp://hdl.handle.net/11693/18293
dc.language.isoEnglishen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectPhotographyen_US
dc.subjectRoland Barthesen_US
dc.subjectHistoryen_US
dc.subjectIterabilityen_US
dc.subjectRecognitionen_US
dc.subjectSpecteren_US
dc.subjectRealen_US
dc.subjectWritingen_US
dc.subject.lccTR183 .S48 2004en_US
dc.subject.lcshPhotography--Philosophy.en_US
dc.subject.lcshPhotography--Aesthetics.en_US
dc.subject.lcshPhotography--Artistics.en_US
dc.titleA review of the "ontology" of photographyen_US
dc.typeThesisen_US
thesis.degree.disciplineFine Arts
thesis.degree.grantorBilkent University
thesis.degree.levelMaster's
thesis.degree.nameMFA (Master of Fine Arts).

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