Latîfî'nin eleştirel perspektifinden Osmanlı divan şiirinin poetikası

buir.advisorKalpaklı, Mehmet
dc.contributor.authorGür, Nagihan
dc.date.accessioned2016-01-08T18:21:01Z
dc.date.available2016-01-08T18:21:01Z
dc.date.issued2009
dc.departmentDepartment of Turkish Literatureen_US
dc.descriptionAnkara : Türk Edebiyatı Bölümü, Bilkent Üniversity, 2009.en_US
dc.descriptionThesis (Master's) -- Bilkent University, 2009.en_US
dc.descriptionIncludes bibliographical references leaves 127-131.en_US
dc.description.abstractAs one of the well-known figures of the Ottoman literature of tezkire genre – the collection of biographies – Latifi (1491-1582) is a distinctive scholar with his eccentric discourse in his masterpiece Tezkiretü’ş-Şu’arâ (1546). The tezkire writer projected a critical view of the Ottoman poetry through the discourse he created in his tezkire, as well as the canon he set down, to a great extent, demonstrated the general progress of the art of poetry. Questioning the literary critique on the basis of Latifi’s tezkire, this thesis aims to show the attributed mean to his critical manner in the traditoin. Being aware of that the Ottoman literary critique has no equalent in the modern critical theories the thesis attempts to explicate the critical discourse in the tezkire in the limits of the tradition and rhetoric. In this context, in the first chapter titled “Tezkiretü’ş-Şu’arâ and Critique in the Ottoman Literature”, the essence of the critique in the tezkire and its place on the line of the tradition are discussed; and Latifi’s genuineness within the tezkire tradition is appraised. Furthermore, the writer’s famous classification of poets is explicated in the context of rhetoric, and the precision of attributing genuineness to the writer of the tezkire merely within the bounds of this classification is questioned. In the subchapters entitled “The Poet” and “The Poetry” of the second chapter “The Ideal Type of Poet Reflected from Latifi’s Critical Perspective and a Look to the Art of Poetry” the platforms of criticism are scrutinized. Within the frame of these platforms, the ideal type of poet and poetry reflected in the critical expression of Latifi is discussed, and the poetic discourse presented in the tezkire is stated.en_US
dc.description.degreeM.A.en_US
dc.description.provenanceMade available in DSpace on 2016-01-08T18:21:01Z (GMT). No. of bitstreams: 1 0006309.pdf: 659918 bytes, checksum: 5094e702b65ede8683d79a985d84f309 (MD5)en
dc.description.statementofresponsibilityGür, Nagihanen_US
dc.format.extentviii, 132 leavesen_US
dc.identifier.urihttp://hdl.handle.net/11693/15582
dc.language.isoEnglishen_US
dc.publisherBilkent Universityen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectLatîfîen_US
dc.subjecttezkireen_US
dc.subjectcritiqueen_US
dc.subjecttraditionen_US
dc.subjectpoeten_US
dc.subjectpoetryen_US
dc.subject.lccPL234.L37 G87 2009en_US
dc.subject.lcshTurkish poetry--History and criticism.en_US
dc.titleLatîfî'nin eleştirel perspektifinden Osmanlı divan şiirinin poetikasıen_US
dc.typeThesisen_US
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