Film score and contemporary nostalgia: on the collaboration between Paul Thomas Anderson and Jonny Greenwood

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buir.advisorKarpat, Colleen Bevin Kennedy
dc.contributor.authorÖzyurt, Deniz
dc.date.accessioned2019-09-30T10:34:00Z
dc.date.available2019-09-30T10:34:00Z
dc.date.copyright2019-08
dc.date.issued2019-08
dc.date.submitted2019-09-27
dc.departmentDepartment of Communication and Designen_US
dc.descriptionCataloged from PDF version of article.en_US
dc.descriptionThesis (M.S.): Bilkent University, Department of Communication and Design, İhsan Doğramacı Bilkent University, 2019.en_US
dc.descriptionIncludes bibliographical references (leaves 90-94).en_US
dc.description.abstractFilm scores in certain contemporary films which narrate stories from different time periods display intriguing patterns in how they evoke distinct emotions and how they underscore the film’s temporal and spatial configurations. This thesis investigates the role of the film score in Paul Thomas Anderson’s recent four feature films such as There Will Be Blood (2007), The Master (2012), Inherent Vice (2014), and Phantom Thread (2017). By adopting Svetlana Boym’s (2001) framework of nostalgia, this thesis aims to reveal how the film score accentuates the dialogue between historically significant individual and/or collective components of the time period depicted, and focuses on differences and similarities in evoking the past through the accompaniment of film score. Furthermore, since the original scores of these films have been composed by Jonny Greenwood, this study also adopts an auteurist approach towards the issue in order to reveal recurring patterns from the collaboration between the director and composer.en_US
dc.description.degreeM.A.en_US
dc.description.statementofresponsibilityby Deniz Özyurten_US
dc.format.extentix, 94 leaves : illustrations (some color) ; 30 cm.en_US
dc.identifier.itemidB122750
dc.identifier.urihttp://hdl.handle.net/11693/52513
dc.language.isoEnglishen_US
dc.publisherBilkent Universityen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectFilm scoreen_US
dc.subjectJonny Greenwooden_US
dc.subjectNostalgiaen_US
dc.subjectPaul Thomas Andersonen_US
dc.titleFilm score and contemporary nostalgia: on the collaboration between Paul Thomas Anderson and Jonny Greenwooden_US
dc.title.alternativeFilm müziği ve çağdaş nostalji: Paul Thomas Anderson ve Jonny Greenwood işbirliği üzerineen_US
dc.typeThesisen_US

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Dept. of Communication and Design - Master's degree