Browsing by Subject "Fine arts"
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Item Open Access Ahmet Hamdi Tanpınar`ın şiir eleştirisinde Avrupa merkezlilik(Bilkent University, 2006) Pelvanoğlu, EmrahAhmet Hamdi Tanpınar (1901-62), who was one of the most original writers of modern Turkish literature, especially with his novels and poems, had also contributed to Turkish literary studies by various articles, essays, and his well-known history of the nineteenth-century Turkish literature. In his articles and essays, Tanpınar placed special emphasis on the genre of poetry and interpreted the development of Turkish literature by putting poetry in the center. This thesis aims to analyze Tanpınar’s writings about poetry in general, and Ottoman poetry and Yahya Kemal Beyatlı (1884-1958) in particular, and to explore his conception of fine arts and his Eurocentric approach. In the first part, entitled “An Overview of Tanpınar’s Criticism of Poetry”, a brief chronological outline of the body of his writings about “Criticism”, “Poetry”, “Ottoman poetry”, and “Yahya Kemal” is provided. The second part of the thesis, entitled “Elements of Tanpınar’s Criticism of Poetry”, consists of two subsections: “Critical Interpretation According to Fine Arts” and “Constructing Continuity in Poetic Language: Selectivity”. The first subsection explores Tanpınar’s understanding of poetry as a fine art and his definition of it in terms of the characteristics of the fine arts. The second subsection discusses Tanpınar’s re-construction of a “classical” tradition by an intentional selection of poets from Yunus Emre to Yahya Kemal in the context of poetic language and his Eurocentric perspective. Tanpınar re-constructs this line of continuity by selecting verses, couplets, and poems according to European literatures, especially French literary norms, while valuing them with the conceptions of European arts, and finally making the mentioned line “Europeanized”. At the same time, he “orientalizes” the Ottoman poetic tradition and makes modern Turkish poetry subordinate to it, with the exception of Yahya Kemal.Item Restricted Çağdaş Türk seramik sanatına kattıklarıyla Hamiye Çolakoğlu(Bilkent University, 2021) Kara, Cem; Çelik, Pırıl; Orak, İsa Yusuf; Uçurum, Ahmet; Balaban, Berkcan; Er, BatuhanSeramik tarih boyunca Türk kültüründe yer edinmiştir. Osmanlı’dan Türkiye Cumhuriyeti dönemine kadar birçok evrim geçirmiş seramik sanatı, cumhuriyet döneminde de birçok yetenekli sanatçı tarafından eserlerin üretildiği bir sanat dalı olmuştur. Hamiye Çolakoğlu da bu sanatçılardan biridir. Genç Yaşta yeteneği fark edilmiş ve yurt dışında eğitim görmesi için destek görmüştür. Eğitim yılları süresince kendine kattıklarıyla ülkesine döndükten sonra bu bilgi birikimini ve yeteneğini Türk seramik sanatının gelişimi için kullanmıştır. Hacettepe Güzel Sanatlar Fakültesi’nin kurulmasında büyük rolü olan Hamiye Çolakoğlu birçok eseriyle ödül almış, uluslararası başarı elde etmiştir.Item Open Access Fine arts perspective in user interface design(ACM, 2009) Kültür, Can; Veryeri Alaca I.In this poster, we first aim to explain an interdisciplinary approach and question an idea and attempt. Second, we aim to underline challenges and enablers of such an attempt. This idea can be briefly summarized as "inclusion of learning activities and assessments that are applied in coordination with the Department of Fine Arts might be necessary in terms of developing visual design skills". The target of this approach is improving the courses like 'human computer interaction' or 'user-interface design'.Item Restricted Prof. Dr. Osman Altıntaş'ın Türkiye'de Plastik Sanatlar'ın gelişimine katkıları ve sanatta telif hakları, fikri ve sınai haklar üzerine çalışmaları(Bilkent University, 2020) Altıntaş, İdil; Bumin, Zehra Sena; Kuru, Hatice Güneş; Altıntop, HilalProf. Dr. Osman Altıntaş güzel sanatlar alanında iyi bir eğitim almış ve kendini geliştirmiş önemli bir eğitimci ve sanatçıdır. Sanat eğitiminin Türkiye'de yaygınlaştırılması ve geliştirilmesi için kurumsal alt yapı çalışmalarında bulunmuş ve çok sayıda değerli akademisyenin yetişmesinde önemli katkıları olmuştur. Kültürel alanın geliştirilip korunmasına öncülük etmiştir. Özellikle Telif Birlikleri ve Fikri Sınai Haklar Mahkemelerinin kuruluşlarının gerçekleştirilmesinde aktif rol almıştır. Cumhuriyet tarihinin en büyük sanat sahteciliği ve soygununu mercek altına alınmasını sağlamış ve sahteciliğin önlenmesinde önemli katkılar sunmuştur. Akademik olarak aktif bir şekilde çalışmalarını sürdürmüş, bu alan ile ilgili çok sayıda bölüm ve fakülte kuruluşunda bulunmuş, birden çok bölümün başkanlığını ve fakülte dekanlığını yapmıştır. Bunun yanında Türkiye'de sanat anlayışının toplumda yayılmasına ve kurumsallaşmasına ön ayak olmuş önemli isimlerden biridir.Item Open Access Turkey: a report on computer graphics education(Technews, 1996) Özgüç, B.In a formal or an informal manner, computer graphics has been a field of research and education since the early 1970s in Turkey. The earlier examples of academic research work came from Istanbul Technical University and Middle East Technical University in Ankara. Istanbul Technical University research efforts were basically on computer-aided design, whereas at the Middle East Technical University, more theoretical computer graphics work has been carried on.Two examples can be given of early theoretical graphics work: A hidden line elimination algorithm by Ibrahim Canbulat, and an automated drafting algorithm by the author [2, 3]. To the best of my knowledge, the earliest official computer graphics course was offered at the Middle East Technical University in 1979. With the establishment of Bilkent University in Ankara, the first private university in Turkey, computer graphics became an official track of study, not only in computer engineering, but in fine arts as well.In this paper, we examine the current state of computer graphics education in Turkey under two main headings. First, the educational activities within the departments of computer science will be examined. Then, the educational activities within the schools of art and design will be looked at. In order to find out the educational activities at various universities, we have written to 52 departments at 40 universities. The information given in this report is based on the responses from these departments. Many departments at various schools offer technical drawing courses by the use of drafting software. These have not been classified as computer graphics courses.Item Open Access Typologies in photography(ODTÜ Mimarlık Fakültesi, 1994) İncirlioğlu, C. GüvenCertain trends in recent photographic art, their relation to the idea of typology and to architecture motivated the writing of this essay. Physiognomy, as the content of portrait photography and as an analogy for the nature of photographic images of any kind, is relevant to the issue of typology. The curatorial profession in the world of art aspires for interpreting, grouping and physically exhibiting a number of artworks by one or more artists, mostly around a theme or a relevant problematic, an issue. One such exhibition that I will refer here, which traveled the United states in 1991 and 1992, is called “Typologies: Nine Contemporary Photographers”, and was curated by Marc Freidus. Among the 'nine', more than half were German who made series of photographs of “types” (of buildings, interiors, people, streets, landscapes, etc.). Within this group are Bernd and Hilla Becher, a husband and wife team, of great significance for this essay.