Okurunu arayan romanlar : 19 yüzyıl Osmanlı-Türk romanlarında okur profili

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buir.advisorMignon, Laurent
dc.contributor.authorBitik, Başak
dc.date.accessioned2016-01-08T18:16:38Z
dc.date.available2016-01-08T18:16:38Z
dc.date.issued2009
dc.departmentDepartment of Turkish Literatureen_US
dc.descriptionAnkara : Türk Edebiyatı Bölümü, Bilkent Üniversitesi, 2009.en_US
dc.descriptionThesis (Master's) -- Bilkent University, 2009.en_US
dc.descriptionIncludes bibliographical references leaves 100-104.en_US
dc.description.abstractThis study focuses on the characters in 19th century Ottoman-Turkish novels, particularly on their role as book readers. Twenty-five novels by Ahmed Midhat, Fatma Aliye, Hüseyin Rahmi and Halid Ziya are primarily considered in analyzing the “reader profile”. The characters are examined from several perspectives; whether they are male or female, positive or negative, “eastern” or “western” oriented, and superficial or thorough readers. The analyses made by the author-narrator as to why these characters read or why they should read are studied in detail. The authors’ views on literature and culture are interpreted through the evaluation of the relationship between the characters and the books they read. All four authors mentioned above feature their reader characters in their novels in different patterns and for different reasons. Ahmed Midhat creates a reader in almost all his novels in order to promote readership in the population including women and presents his “ideal reader” image. This design continues in Fatma Aliye’s work, only this author focuses more on women characters to highlight her views on women’s education. It is observed that Hüseyin Rahmi opposes such idealization and brings forth a critical approach to the “ideal reader” image. It is concluded that his satirical style breaks the trend to view books as sources of object lessons. Halid Ziya joins Hüseyin Rahmi in the critical approach toward images of “book” and “reader”, since the characters in his novels criticize the press and literary circles of those times. It is demonstrated that in addition to his predecessors, Halid Ziya chooses to use them more as problematic ones.en_US
dc.description.degreeM.A.en_US
dc.description.statementofresponsibilityBitik, Başaken_US
dc.format.extentvii, 105 leavesen_US
dc.identifier.urihttp://hdl.handle.net/11693/15313
dc.language.isoEnglishen_US
dc.publisherBilkent Universityen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectOttoman- Turkish novelsen_US
dc.subjectimage of “reader” and “book” in novelsen_US
dc.subject“Eastern”-“Western” Cultureen_US
dc.subject.lccPL223 .B58 2009en_US
dc.subject.lcshTurkish fiction--19th century--History and criticism.en_US
dc.titleOkurunu arayan romanlar : 19 yüzyıl Osmanlı-Türk romanlarında okur profilien_US
dc.typeThesisen_US
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