A commentary on narrative platforms, cinematic universes, and consumers formerly known as the audience
buir.contributor.author | Treske, Andreas | |
buir.contributor.author | Özgün, A. | |
dc.citation.epage | 6-12 | en_US |
dc.citation.issueNumber | 3 | en_US |
dc.citation.spage | 6-1 | en_US |
dc.citation.volumeNumber | 3 | en_US |
dc.contributor.author | Treske, Andreas | |
dc.contributor.author | Özgün, A. | |
dc.date.accessioned | 2021-03-25T07:59:47Z | |
dc.date.available | 2021-03-25T07:59:47Z | |
dc.date.issued | 2018 | |
dc.department | Department of Communication and Design | en_US |
dc.description.provenance | Submitted by Evrim Ergin (eergin@bilkent.edu.tr) on 2021-03-25T07:59:47Z No. of bitstreams: 1 A_commentary_on_Narrative_Platforms_Cinematic_Universes_and_Consumers_Formerly_Known_as_the_Audience.pdf: 1371381 bytes, checksum: da2914b64155cfde922f7af29b351348 (MD5) | en |
dc.description.provenance | Made available in DSpace on 2021-03-25T07:59:47Z (GMT). No. of bitstreams: 1 A_commentary_on_Narrative_Platforms_Cinematic_Universes_and_Consumers_Formerly_Known_as_the_Audience.pdf: 1371381 bytes, checksum: da2914b64155cfde922f7af29b351348 (MD5) Previous issue date: 2018 | en |
dc.identifier.doi | 10.23860/MGDR-2018-03-03-06 | en_US |
dc.identifier.issn | 2473-4055 | |
dc.identifier.uri | http://hdl.handle.net/11693/75973 | |
dc.language.iso | English | en_US |
dc.publisher | ISMD | en_US |
dc.relation.isversionof | https://doi.org/10.23860/MGDR-2018-03-03-06 | en_US |
dc.source.title | Markets, Globalization and Development Review | en_US |
dc.subject | Streaming media | en_US |
dc.subject | Narrative studies | en_US |
dc.subject | Audience studies | en_US |
dc.subject | Political-Economy | en_US |
dc.subject | New media | en_US |
dc.title | A commentary on narrative platforms, cinematic universes, and consumers formerly known as the audience | en_US |
dc.type | Article | en_US |
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