Yeşilçam Sinema Fenerlerinin öncüsü: Erol Ağakay

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dc.contributor.authorDemirkol, Berkay
dc.contributor.authorGünaydın, Arda
dc.contributor.authorHasanoğlu, Samet
dc.contributor.authorKurubal, Ege
dc.contributor.authorŞenol, Emre
dc.date.accessioned2020-06-30T08:44:15Z
dc.date.available2020-06-30T08:44:15Z
dc.date.issued2020
dc.descriptionAnkara : İhsan Doğramacı Bilkent Üniversitesi İktisadi, İdari ve Sosyal Bilimler Fakültesi, Tarih Bölümü, 2020.
dc.descriptionThis work is a student project of the Department of History, Faculty of Economics, Administrative and Social Sciences, İhsan Doğramacı Bilkent University.
dc.descriptionThe History of Turkey course (HIST200) is a requirement for all Bilkent undergraduates. It is designed to encourage students to work in groups on projects concerning any topic of their choice that relates to the history of Turkey. It is designed as an interactive course with an emphasis on research and the objective of investigating events, chronologically short historical periods, as well as historic representations. Students from all departments prepare and present final projects for examination by a committee, with 10 projects chosen to receive awards.
dc.descriptionIncludes bibliographical references (page 13).
dc.description.abstractErol Ağakay 3684 adet Yeşilçam filminin afişini basmış, bunların yaklaşık 1900'ünün afişini de bizzat tasarlamış bir sanatçıdır. Bu dönemde İstanbul'da oyuncuların fotoğrafını çektiği bir fotoğraf stüdyosu ve kendi tasarladığı film afişlerini bastırdığı bir baskı şirketi (Mimeray) kurmuştur. Sonrasında Yeşilçam sinemasının sona ermesi ile şirketini billboard, pano ve bina giydirme gibi alanlara yönlendirmiştir ve hâlen bu alanda çalışmaya devam etmektedir.
dc.description.abstractErol Ağakay is an artist who has printed 3684 Yeşilçam films and designed approximately 1900 of them in person. During this period, he established a photography studio in Istanbul where he took photographs of actors and a printing company (Mimeray), where he printed his own film posters. Later, following the end of Yeşilçam cinema, he canalized his company to fields such as billboard, panel and building facade advertisement and he still continues to work in these fields.
dc.description.statementofresponsibilityby İbrahim Mert Öztürk.
dc.format.extent31 pages
dc.identifier.itemidSPB3159en_US
dc.identifier.urihttp://hdl.handle.net/11693/53781
dc.language.isoTurkish
dc.publisherBilkent University
dc.relation.ispartofseriesİbrahim Mert Öztürk, HIST 200-18 (2019-2020 Fall) ; 6
dc.rightsCreative Commons Attribution-NonCommercial-ShareAlikeen_US
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/4.0/en_US
dc.subjectSinemaen_US
dc.subjectAfişen_US
dc.subjectTasarımen_US
dc.subjectYeşilçamen_US
dc.subjectFilmen_US
dc.subjectFotoğrafçılıken_US
dc.subjectBaskıen_US
dc.subjectCinemaen_US
dc.subjectPosteren_US
dc.subjectDesignen_US
dc.subjectMovieen_US
dc.subjectPhotographyen_US
dc.subjectPrintingen_US
dc.subject.lccÖZTÜRK HIST 200-18/6 2019-20
dc.titleYeşilçam Sinema Fenerlerinin öncüsü: Erol Ağakay
dc.typeStudent Project

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