Ölümün gölgesindeki kadın

buir.contributor.authorBayrakçeken-Akın, Aylin
dc.citation.epage149en_US
dc.citation.issueNumber25en_US
dc.citation.spage143en_US
dc.contributor.authorBayrakçeken-Akın, Aylin
dc.date.accessioned2020-11-11T07:53:34Z
dc.date.available2020-11-11T07:53:34Z
dc.date.issued2013
dc.departmentDepartment of Translation and Interpretationen_US
dc.description.abstractIn Rockaby, life is divided into four parts and aseach part comes to an end the old woman's hope of communication lessens. Therefore, she is pushed into loneliness and unhappiness. All her life becomes the monotonous and repetitive movement of a rocking chair, going back and forth since she never moves out of this chair.. Her self is divided into, consciousness or mind represented by W' s recorded voice, and her body or physical life is symbolized by the rocking chair. From the accounts of the recorded voice it becomes clear that all her life the old woman looked for a companion, a living soul, the presence of whom would give her the comfort she needed. Then, towards the end she realizes that life cannot offer her the warmth, security and darkness she searches for. She wishes to return to her mother's womb or to 'death' where she hopes to find a possible salvation.en_US
dc.identifier.issn1016-4537
dc.identifier.urihttp://hdl.handle.net/11693/54472
dc.language.isoTurkishen_US
dc.publisherÜrün Yayınlarıen_US
dc.source.titleFrankofonien_US
dc.subjectDeathen_US
dc.subjectMeaning of lifeen_US
dc.subjectRepetitionen_US
dc.subjectLonelinessen_US
dc.subjectAbsurden_US
dc.subjectSelfen_US
dc.subjectBodyen_US
dc.subjectMinden_US
dc.subjectMorten_US
dc.subjectSens de la vieen_US
dc.subjectRetouren_US
dc.subjectSolitudeen_US
dc.subjectAbsurditeen_US
dc.subjectMoien_US
dc.subjectCorpsen_US
dc.subjectAmeen_US
dc.titleÖlümün gölgesindeki kadınen_US
dc.title.alternativeLa femme dans l'ombre de la morten_US
dc.title.alternativeThe woman in the shadow of deathen_US
dc.typeArticleen_US

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