Sanata atılan ok: Kayıhan Keskinok

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dc.contributor.authorAtasay, Doğa Su
dc.contributor.authorŞahin, Arda
dc.contributor.authorÇetiner, Çağdaş
dc.contributor.authorOrman, Hamit
dc.contributor.authorOral, Begüm Can
dc.date.accessioned2019-10-11T19:12:12Z
dc.date.available2019-10-11T19:12:12Z
dc.date.issued2019
dc.descriptionAnkara : İhsan Doğramacı Bilkent Üniversitesi İktisadi, İdari ve Sosyal Bilimler Fakültesi, Tarih Bölümü, 2019.
dc.descriptionThis work is a student project of the Department of History, Faculty of Economics, Administrative and Social Sciences, İhsan Doğramacı Bilkent University.
dc.descriptionThe History of Turkey course (HIST200) is a requirement for all Bilkent undergraduates. It is designed to encourage students to work in groups on projects concerning any topic of their choice that relates to the history of Turkey. It is designed as an interactive course with an emphasis on research and the objective of investigating events, chronologically short historical periods, as well as historic representations. Students from all departments prepare and present final projects for examination by a committee, with 10 projects chosen to receive awards.
dc.descriptionIncludes bibliographical references (pages 14-15).
dc.description.abstractBu makalede Cumhuriyet Dönemi’nde yaşamış Türkiye’nin kayda değer sanatçılarından Kayıhan Keskinok’un doğumundan ölümüne hem ailevi hem akademik hayatı, içinde bulunduğu dönemdeki sanat anlayışı, eserleri, sergileri, vakfı ve yetiştirdiği sanatçılara katkıları anlatılmıştır. Bilgi toplama ve metinin yazılma sürecinde, sanatçının hayatının önemli noktaları ile alakalı kaynaklar incelenmiştir.
dc.description.abstractIn this article, we focused on Kayıhan Keskinok who is one of the most valuable artists of Republican Era of Turkey who had left a significant mark on the Turkish history. We analysed his life from birth to death in detail, academic life, the perception of art in that century, art works, exhibitions, private foundation and his guidance to students by researching both the primary and the secondary sources.
dc.description.provenanceMade available in DSpace on 2019-10-11T19:12:12Z (GMT). No. of bitstreams: 1 SPB2882.pdf: 668986 bytes, checksum: 26f1e0d454e2454822df6b8f46bfa5e8 (MD5) Previous issue date: 2019en
dc.description.statementofresponsibilityby Abdürrahim Özer.
dc.format.extent18 pages
dc.identifier.itemidSPB2882en_US
dc.identifier.urihttp://hdl.handle.net/11693/52585
dc.language.isoTurkish
dc.publisherBilkent University
dc.relation.ispartofseriesAbdürrahim Özer, HIST 200-1 (2018-2019 Spring) ; 6
dc.rightsCreative Commons Attribution-NonCommercial-ShareAlikeen_US
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/4.0/en_US
dc.subjectKayıhanen_US
dc.subjectKeskinoken_US
dc.subjectSanaten_US
dc.subjectCumhuriyet Dönemi Sanatçılarıen_US
dc.subjectResimen_US
dc.subjectRessamen_US
dc.subjectKayıhan Keskinoken_US
dc.subjectArten_US
dc.subjectRepublic Era Artistsen_US
dc.subjectPaintingen_US
dc.subjectPainteren_US
dc.subjectExhibitionen_US
dc.subject.lccÖZER HIST 200-1/6 2018-19
dc.titleSanata atılan ok: Kayıhan Keskinok
dc.typeStudent Project

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