The folk as alternative modernity: Claude McKay’s Banana Bottom and the romance of nature
dc.citation.epage | 94 | en_US |
dc.citation.issueNumber | 1 | en_US |
dc.citation.spage | 79 | en_US |
dc.citation.volumeNumber | 23 | en_US |
dc.contributor.author | Nicholls, D. G. | en_US |
dc.date.accessioned | 2019-01-29T05:54:52Z | |
dc.date.available | 2019-01-29T05:54:52Z | |
dc.date.issued | 1999 | en_US |
dc.department | Department of American Culture and Literature | en_US |
dc.identifier.eissn | 1529-1464 | |
dc.identifier.issn | 0022-281X | |
dc.identifier.uri | http://hdl.handle.net/11693/48458 | |
dc.language.iso | English | en_US |
dc.publisher | Indiana University Press | en_US |
dc.source.title | Journal of Modern Literature | en_US |
dc.title | The folk as alternative modernity: Claude McKay’s Banana Bottom and the romance of nature | en_US |
dc.type | Article | en_US |
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