Making it really new: Hilda Doolittle, Gwendolyn Brooks, and the feminist potential of modern poetry
dc.contributor.author | Hughes, Gertrude Reif | |
dc.date.accessioned | 2021-02-17T07:27:15Z | |
dc.date.available | 2021-02-17T07:27:15Z | |
dc.date.issued | 1990 | |
dc.description | American Quarterly -- September 1990 -- pages 375-401. | |
dc.format.extent | 27 pages; 375-401 | |
dc.identifier.itemid | HCONTURK0003622 | |
dc.identifier.uri | http://hdl.handle.net/11693/73287 | |
dc.language.iso | English | |
dc.source.title | American Quarterly | |
dc.subject | African American women poets | |
dc.subject | 20th century | |
dc.subject | Criticism and interpretation | |
dc.subject | American poetry | |
dc.subject | History and criticism | |
dc.subject | Women and literature | |
dc.subject | United States | |
dc.subject | History | |
dc.subject.lcc | CON.K3622 | |
dc.title | Making it really new: Hilda Doolittle, Gwendolyn Brooks, and the feminist potential of modern poetry | |
dc.type | Cutting |