Utzon’s Middle East: The reinterpretation of the traditional Middle Eastern architecture in the work of Jørn Utzon

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buir.advisorChiu, Chen-Yu
dc.contributor.authorYılgın, Cem
dc.date.accessioned2022-09-09T11:15:46Z
dc.date.available2022-09-09T11:15:46Z
dc.date.copyright2022-08
dc.date.issued2022-08
dc.date.submitted2022-09-06
dc.departmentDepartment of Architectureen_US
dc.descriptionCataloged from PDF version of article.en_US
dc.descriptionThesis (Master's): Bilkent University, Department of Architecture, İhsan Doğramacı Bilkent University, 2022.en_US
dc.descriptionIncludes bibliographical references (leaves 165-168).en_US
dc.description.abstractMiddle Eastern ideas had a remarkable influence on Utzon’s artistry besides other non-European cultures, as seen in his manifestations and architectural works. However, the effects of Middle Eastern building culture on Utzon’s career have not been carefully investigated. In this manner, this thesis aims to explore the reinterpretation of Middle Eastern ideas in Utzon’s work to reveal his cross-cultural position and trans-cultural intention. It argues that the Middle East provided ideas to Utzon over his lifetime career, and gave inspiration for the manipulation of his ideas and ideals. Regarding this context, the research firstly examines Utzon’s Middle East through his social and cultural background by surveying his readings and study trips and reviewing his manifestoes, project descriptions, and edited materials. Secondly, Utzon’s early perception of the Middle East was illuminated with built-form analogies, such as the Sydney Opera House and Masjid-i Jamii of Isfahan, the Melli Bank and Masjid-i Shaikh Lotfollah, the Silkeborg Museum and Bazaar of Kashan. Thirdly, the transformation of Utzon’s ideas and ideals between his two manifestos, the 1962 “Plateaus and Platforms” and 1970 “Additive Architecture”, is investigated by highlighting the limitations and strengths of a series of buildings and projects. Fourthly and finally, Utzon’s seminal project proposal for the Farum Town Center is examined as a case study to reveal the role of the Middle East in his “additive” theme. Utzon’s receiving of the Middle East, specifically through the Grand Bazaar of Isfahan, could reflect Utzon’s manipulation of a group of ideas to resolve the limitations of his earlier projects, seen in the Farum Town Center proposal.en_US
dc.description.degreeM.S.en_US
dc.description.provenanceSubmitted by Betül Özen (ozen@bilkent.edu.tr) on 2022-09-09T11:15:46Z No. of bitstreams: 1 B161271.pdf: 28822240 bytes, checksum: 4b2df8ad9c7587823e91eda035a4a6bb (MD5)en
dc.description.provenanceMade available in DSpace on 2022-09-09T11:15:46Z (GMT). No. of bitstreams: 1 B161271.pdf: 28822240 bytes, checksum: 4b2df8ad9c7587823e91eda035a4a6bb (MD5) Previous issue date: 2022-08en
dc.description.statementofresponsibilityby Cem Yılgınen_US
dc.embargo.release2024-08-15
dc.format.extentx, 227 leaves : illustrations, plans, charts ; 30 cm.en_US
dc.identifier.itemidB161271
dc.identifier.urihttp://hdl.handle.net/11693/110494
dc.language.isoEnglishen_US
dc.publisherBilkent Universityen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectJørn Utzonen_US
dc.subjectIslamic architectureen_US
dc.subjectThe Sydney opera houseen_US
dc.subjectThe Masjid-I Jamii of Isfahanen_US
dc.subjectBazaar architectureen_US
dc.titleUtzon’s Middle East: The reinterpretation of the traditional Middle Eastern architecture in the work of Jørn Utzonen_US
dc.title.alternativeUtzon'un Orta Doğu'su: Jørn Utzon'un eserlerinde geleneksel Ortadoğu mimarisinin yeniden yorumlanmasıen_US
dc.typeThesisen_US

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