Cem Yılmaz and genre parody in Turkish national cinema

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buir.contributor.authorÖrsler, M. Mert
buir.contributor.authorKennedy-Karpat, Colleen
dc.citation.epage48en_US
dc.citation.issueNumber1en_US
dc.citation.spage38en_US
dc.citation.volumeNumber48en_US
dc.contributor.authorÖrsler, M. Mert
dc.contributor.authorKennedy-Karpat, Colleen
dc.date.accessioned2021-02-17T13:42:52Z
dc.date.available2021-02-17T13:42:52Z
dc.date.issued2020
dc.departmentDepartment of Communication and Designen_US
dc.description.abstractCem Yılmaz has become nearly synonymous with Turkish comedy through comedies like Arif V 216 (2018). Taking this film as its focus, this article situates Yılmaz among his competitors while tracing his roots in Turkish entertainment by discussing his relationship to mid-twentieth-century Yeşilçam and to the meddah storytelling tradition. ©, Copyright Taylor & Francis.en_US
dc.description.provenanceSubmitted by Onur Emek (onur.emek@bilkent.edu.tr) on 2021-02-17T13:42:52Z No. of bitstreams: 1 Cem_Yılmaz_and_Genre_Parody_in_Turkish_National_Cinema.pdf: 1409108 bytes, checksum: 93eadd6d6de830dd148828d4ded26610 (MD5)en
dc.description.provenanceMade available in DSpace on 2021-02-17T13:42:52Z (GMT). No. of bitstreams: 1 Cem_Yılmaz_and_Genre_Parody_in_Turkish_National_Cinema.pdf: 1409108 bytes, checksum: 93eadd6d6de830dd148828d4ded26610 (MD5) Previous issue date: 2020en
dc.identifier.doi10.1080/01956051.2019.1657060en_US
dc.identifier.issn0195-6051
dc.identifier.urihttp://hdl.handle.net/11693/75415
dc.language.isoEnglishen_US
dc.publisherTaylor and Francisen_US
dc.relation.isversionofhttps://dx.doi.org/10.1080/01956051.2019.1657060en_US
dc.source.titleJournal of Popular Film and Televisionen_US
dc.subjectComedyen_US
dc.subjectCycleen_US
dc.subjectGenreen_US
dc.subjectNational cinemaen_US
dc.subjectParodyen_US
dc.subjectTurkeyen_US
dc.subjectYeşilçamen_US
dc.titleCem Yılmaz and genre parody in Turkish national cinemaen_US
dc.typeArticleen_US

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