Bill Murray and Wes Anderson, or the curmudgeon as muse

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dc.citation.epage137en_US
dc.citation.spage125en_US
dc.contributor.authorKennedy-Karpat, Colleenen_US
dc.contributor.editorKunze, P. C.
dc.date.accessioned2019-04-25T13:16:46Z
dc.date.available2019-04-25T13:16:46Z
dc.date.issued2014en_US
dc.departmentDepartment of Communication and Designen_US
dc.descriptionChapter 9en_US
dc.description.abstractAs Melena Ryzik joked in a report from a Golden Globes after-party, “Ain’t no party like a Bill Murray party, because a Bill Murray party don’t stop.”1 Although it was meant to encapsulate the antics of a single evening, Ryzik’s observation resonates beyond one star-studded gala into the arc of Murray’s entire career, and director Wes Anderson has certainly enjoyed a Bill Murray party that seems like it won’t soon stop.en_US
dc.identifier.doi10.1057/9781137403124_10en_US
dc.identifier.doi10.1057/9781137403124en_US
dc.identifier.isbn9781349486922
dc.identifier.urihttp://hdl.handle.net/11693/50945
dc.language.isoEnglishen_US
dc.publisherPalgrave Macmillan, New Yorken_US
dc.relation.ispartofThe Films of Wes Andersonen_US
dc.relation.isversionofhttps://doi.org/10.1057/9781137403124_10en_US
dc.relation.isversionofhttps://doi.org/10.1057/9781137403124en_US
dc.subjectLife aquaticen_US
dc.subjectCriterion releaseen_US
dc.subjectTelevision studyen_US
dc.subjectStar imageen_US
dc.subjectConsolation prizeen_US
dc.titleBill Murray and Wes Anderson, or the curmudgeon as museen_US
dc.typeBook Chapteren_US

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