Türkiye’de çinicilik: İsmail Yiğit ve atölyesi Marmara Çini
| dc.contributor.author | Erkilet, Aysel | |
| dc.contributor.author | Çınar, Ayşe Duru | |
| dc.contributor.author | Karaman, Defne | |
| dc.contributor.author | Uzun, Enes Said | |
| dc.contributor.author | Öztürk, Özgü | |
| dc.date.accessioned | 2024-07-11T13:24:59Z | |
| dc.date.available | 2024-07-11T13:24:59Z | |
| dc.date.issued | 2024 | |
| dc.description | This work is a student project of the Department of History, Faculty of Economics, Administrative and Social Sciences, İhsan Doğramacı Bilkent University. | |
| dc.description | The History of Turkey course (HIST200) is a requirement for all Bilkent undergraduates. It is designed to encourage students to work in groups on projects concerning any topic of their choice that relates to the history of Turkey. It is designed as an interactive course with an emphasis on research and the objective of investigating events, chronologically short historical periods, as well as historic representations. Students from all departments prepare and present final projects for examination by a committee, with 10 projects chosen to receive awards. | |
| dc.description | Ankara : İhsan Doğramacı Bilkent Üniversitesi İktisadi, İdari ve Sosyal Bilimler Fakültesi, Tarih Bölümü, 2024. | |
| dc.description | Includes bibliographical references (pages 20-23). | |
| dc.description.abstract | Çinicilik tarih boyunca birçok medeniyette görülen ve günümüze kadar hayatta kalmayı başaran köklü bir sanat dalıdır. Çini; killi toprağın şekillendirilmesi, fırınlanması ve sonrasında renklendirilmesi ile yapılır. Renklendirilirken işlenen motifler bulunduğu dönemin, bölgenin ve kültürün değerlerini yansıtır. Çininin günlük hayatta çanak çömlekten mimari eserlerin süslemelerine kadar uzanan geniş bir kullanım yelpazesi vardır. Çinicilik günümüzde ise sanayileşme ve modernleşme ile beraber olumlu ve olumsuz değişimlere uğramıştır. Bu araştırmada çini sanatçısı İsmail Yiğit’in sanatından ve görüşlerinden yararlanarak çiniciliğin sanayileşme ve modernleşme etkisiyle değişiminden ve Türkiye’ye olan kültürel ve ekonomik katkılarından bahsedilmektedir. | |
| dc.description.abstract | Tile-making is a deep-rooted art form that has been seen in many civilizations throughout history and has survived until today. A tile is made by shaping clay soil, baking it, and coloring it. While coloring, the motifs reflect the values of the period, the region, and the culture in which it is made. Tile has a wide range of uses in daily life, from pottery to decoration of architectural works. Today, tile-making has undergone positive and negative changes with industrialization and modernization. This research examines the change in tile art under the influence of industrialization and modernization and its impact on the Turkish economy and culture. The art and comments of tile artist İsmail Yiğit on the subject are also utilized for the examination. | |
| dc.description.statementofresponsibility | by Ayşenur Dağlı | |
| dc.format.extent | 23 pages | |
| dc.identifier.itemid | SPB4783 | |
| dc.identifier.uri | https://hdl.handle.net/11693/115390 | |
| dc.language.iso | tr | |
| dc.publisher | Bilkent University | en_US |
| dc.relation.ispartofseries | Ayşenur Dağlı, HIST200-5 (2023-2024 Spring); 5 | |
| dc.rights | Creative Commons Attribution-NonCommercial-ShareAlike | en_US |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-sa/4.0/ | en_US |
| dc.subject | Çini | |
| dc.subject | İsmail Yiğit | |
| dc.subject | Sanayileşme | |
| dc.subject | Modernleşme | |
| dc.subject | El sanatları | |
| dc.subject | Tile | |
| dc.subject | Industrialization | |
| dc.subject | Modernization | |
| dc.subject | Handicrafts | |
| dc.title | Türkiye’de çinicilik: İsmail Yiğit ve atölyesi Marmara Çini | |
| dc.type | Student Project |