Looking at/in/from the Maison de Verre

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dc.citation.epage193en_US
dc.citation.spage177en_US
dc.contributor.authorWilson, Christhoperen_US
dc.date.accessioned2018-04-12T13:39:25Z
dc.date.available2018-04-12T13:39:25Z
dc.date.issued2005en_US
dc.departmentFaculty of Art, Design and Architectureen_US
dc.description.abstractThe iconic Maison de Verre, attributed to Pierre Chareau and Bernard Bijvoet (Paris, 1928-1932), has traditionally been analyzed in terms of its eponymous glass-block walls, its industrial aesthetic, its climate-control advancements, and/or the way that the house seems to be like one large piece of furniture. However, few commentators have critically discussed the two different.
dc.description.provenanceMade available in DSpace on 2018-04-12T13:39:25Z (GMT). No. of bitstreams: 1 bilkent-research-paper.pdf: 179475 bytes, checksum: ea0bedeb05ac9ccfb983c327e155f0c2 (MD5) Previous issue date: 2005en
dc.identifier.doi10.4324/9780203479476en_US
dc.identifier.isbn000203479475
dc.identifier.isbn9780203479476
dc.identifier.urihttp://hdl.handle.net/11693/37865
dc.language.isoEnglishen_US
dc.publisherRoutledge Taylor & Francis Groupen_US
dc.relation.isversionofhttp://dx.doi.org/10.4324/9780203479476en_US
dc.source.titleNegotiating Domesticity: Spatial Productions of Gender in Modern Architectureen_US
dc.titleLooking at/in/from the Maison de Verreen_US
dc.typeBook Chapteren_US

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