Spectacle, speculative, spectile: situations in Sarah Kane, Sevim Burak, etc
dc.citation.epage | 444 | en_US |
dc.citation.issueNumber | 4 | en_US |
dc.citation.spage | 437 | en_US |
dc.citation.volumeNumber | 24 | en_US |
dc.contributor.author | Aracagök, Z. | en_US |
dc.contributor.author | Yalim, P. B. | en_US |
dc.date.accessioned | 2019-01-26T08:13:07Z | |
dc.date.available | 2019-01-26T08:13:07Z | |
dc.date.issued | 2010-07 | en_US |
dc.department | Department of Graphic Design | en_US |
dc.description.abstract | Reconsidering the Situationist texts, mainly Guy Debord’s Society of the Spectacle, this article attempts to produce distinctions between the spectacle, the speculative and the ‘spectile’ via a reading of Deleuzian insistence that immanence should be created. Zigzagging between the texts of Sarah Kane and Sevim Burak, we suggest the urgency of ‘the spectile’ within the Deleuzian concept of ‘becoming‐woman’ if an immanence, including both arts and art criticism, is not to yield to a transcending transcendental; if criticism is to produce an immanence that is only immanent to itself. | en_US |
dc.description.provenance | Submitted by Taner Korkmaz (tanerkorkmaz@bilkent.edu.tr) on 2019-01-26T08:13:07Z No. of bitstreams: 1 Spectacle_Speculat_ve_Spect_le_Situations_in_Sarah_Kane_Sevim_Burak_etc.pdf: 157462 bytes, checksum: 5da07cb6e60bc7fc977c89130af59e55 (MD5) | en |
dc.description.provenance | Made available in DSpace on 2019-01-26T08:13:07Z (GMT). No. of bitstreams: 1 Spectacle_Speculat_ve_Spect_le_Situations_in_Sarah_Kane_Sevim_Burak_etc.pdf: 157462 bytes, checksum: 5da07cb6e60bc7fc977c89130af59e55 (MD5) Previous issue date: 2010-07 | en |
dc.identifier.doi | 10.1080/09528822.2010.491374 | en_US |
dc.identifier.eissn | 1475-5297 | |
dc.identifier.issn | 0952-8822 | |
dc.identifier.uri | http://hdl.handle.net/11693/48394 | |
dc.language.iso | English | en_US |
dc.publisher | Routledge | en_US |
dc.relation.isversionof | https://doi.org/10.1080/09528822.2010.491374 | en_US |
dc.source.title | Third Text | en_US |
dc.subject | Spectile | en_US |
dc.subject | Spectacle | en_US |
dc.subject | Situationists | en_US |
dc.subject | Hyperbole | en_US |
dc.subject | Sarah Kane | en_US |
dc.subject | Sevim Burak | en_US |
dc.subject | Guy Debord | en_US |
dc.subject | Détournement | en_US |
dc.subject | Somnambulism | en_US |
dc.subject | Criticism | en_US |
dc.title | Spectacle, speculative, spectile: situations in Sarah Kane, Sevim Burak, etc | en_US |
dc.type | Article | en_US |
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