“Modern Death” in Don DeLillo: a parody of life?

dc.citation.epage196en_US
dc.citation.issueNumber2en_US
dc.citation.spage179en_US
dc.citation.volumeNumber48en_US
dc.contributor.authorHelvacioglu, B.en_US
dc.date.accessioned2019-02-13T12:10:27Z
dc.date.available2019-02-13T12:10:27Z
dc.date.issued2015-06en_US
dc.departmentDepartment of Political Science and Public Administrationen_US
dc.description.abstractThis essay aims to carve out an uncharted space to critically reflect on death in our times. It problematizes the existentially absurd and paradoxical nature of death by focusing on Kierkegaard’s pseudonymous Socratic questioning and the undecided relationship Don DeLillo’s characters have with the actuality of their own deaths.en_US
dc.identifier.doi10.1353/mos.2015.0018en_US
dc.identifier.eissn1925-5683
dc.identifier.issn0027-1276
dc.identifier.urihttp://hdl.handle.net/11693/49440
dc.language.isoEnglishen_US
dc.publisherUniversity of Manitobaen_US
dc.relation.isversionofhttps://doi.org/10.1353/mos.2015.0018en_US
dc.source.titleMosaic (Winnipeg, 1967): a journal for the interdisciplinary study of literatureen_US
dc.title“Modern Death” in Don DeLillo: a parody of life?en_US
dc.typeArticleen_US

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