Sculling to the Over-Soul: Louis Simpson, American Transcendentalism, and Thomas Eakins's "Max Schmitt in a Single Scull"
dc.contributor.author | Wilson, Rob | |
dc.date.accessioned | 2021-02-17T09:45:40Z | |
dc.date.available | 2021-02-17T09:45:40Z | |
dc.date.issued | 1987 | |
dc.description | American Quarterly -- Fall 1987 -- pages 410-429. | |
dc.format.extent | 20 pages; 410-429 | |
dc.identifier.itemid | HCONTURK0003971 | |
dc.identifier.uri | http://hdl.handle.net/11693/74935 | |
dc.language.iso | English | |
dc.source.title | American Quarterly | |
dc.subject | Poets, American | |
dc.subject | History and criticism | |
dc.subject | Transcendentalism in literature | |
dc.subject | Criticism and interpretation | |
dc.subject | Painting, American | |
dc.subject | Transcendentalism | |
dc.subject | Rowing | |
dc.subject.lcc | CON.K3971 | |
dc.title | Sculling to the Over-Soul: Louis Simpson, American Transcendentalism, and Thomas Eakins's "Max Schmitt in a Single Scull" | |
dc.type | Cutting |