The rise of a spontaneous synthesis: the historical background of Turkish popular music
dc.citation.epage | 215 | en_US |
dc.citation.issueNumber | 2 | en_US |
dc.citation.spage | 194 | en_US |
dc.citation.volumeNumber | 32 | en_US |
dc.contributor.author | Tekelioğlu, O. | en_US |
dc.date.accessioned | 2019-01-31T16:43:57Z | |
dc.date.available | 2019-01-31T16:43:57Z | |
dc.date.issued | 1996 | en_US |
dc.department | Department of Political Science and Public Administration | en_US |
dc.identifier.doi | 10.1080/00263209608701111 | en_US |
dc.identifier.eissn | 1743-7881 | |
dc.identifier.issn | 0026-3206 | |
dc.identifier.uri | http://hdl.handle.net/11693/48647 | |
dc.language.iso | English | en_US |
dc.publisher | Taylor & Francis, Ltd. | en_US |
dc.relation.isversionof | https://doi.org/10.1080/00263209608701111 | en_US |
dc.source.title | Middle Eastern Studies | en_US |
dc.title | The rise of a spontaneous synthesis: the historical background of Turkish popular music | en_US |
dc.type | Article | en_US |
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