Disordering the border: Harryette Mullen's transaborder poetics in Muse & Drudge

dc.citation.epage183en_US
dc.citation.issueNumber3en_US
dc.citation.spage151en_US
dc.citation.volumeNumber45en_US
dc.contributor.authorReimer, J. A.en_US
dc.date.accessioned2018-04-12T13:43:18Z
dc.date.available2018-04-12T13:43:18Z
dc.date.issued2014en_US
dc.departmentDepartment of American Culture and Literatureen_US
dc.description.abstractThis essay reads Harryette Mullen's epic poem Muse & Drudge as an innovative text of the US-Mexico borderlands by focusing on Mullen's literal and figurative transactions between multiple discourses, including Spanish, and the corresponding sets of material conditions these discourses conjure to understand how Muse & Drudge reveals the ongoing racialization and exploitation of African American women and Latinas. I identify a transaborder politics in Muse & Drudge in which shared colonial histories unite Afro-Caribbean diasporic and borderlands subjects. In Mullen's poetics, themes of separation, definition, and regulation are racial-ized concepts, deeply embedded in the violent histories of racial mixing and mestizaje that are both named outright and alluded to metaphorically by her hybridized language.en_US
dc.description.provenanceMade available in DSpace on 2018-04-12T13:43:18Z (GMT). No. of bitstreams: 1 bilkent-research-paper.pdf: 179475 bytes, checksum: ea0bedeb05ac9ccfb983c327e155f0c2 (MD5) Previous issue date: 2014en
dc.identifier.issn1920-1222
dc.identifier.urihttp://hdl.handle.net/11693/38032
dc.language.isoEnglishen_US
dc.publisherThe Johns Hopkins University Press and University of Calgaryen_US
dc.subjectAfrican American poetryen_US
dc.subjectFeminismen_US
dc.subjectHarryette Mullenen_US
dc.subjectMuse and Drudgeen_US
dc.subjectUS-Mexico borderlandsen_US
dc.subjectExperimental American poetryen_US
dc.titleDisordering the border: Harryette Mullen's transaborder poetics in Muse & Drudgeen_US
dc.typeArticleen_US

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