Melancholy and hüzün in Orhan Pamuk's İstanbul

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dc.citation.epage178en_US
dc.citation.issueNumber2en_US
dc.citation.spage163en_US
dc.citation.volumeNumber46en_US
dc.contributor.authorHelvacıoğlu, Banuen_US
dc.date.accessioned2018-04-12T13:43:20Z
dc.date.available2018-04-12T13:43:20Z
dc.date.issued2013en_US
dc.departmentDepartment of Political Science and Public Administrationen_US
dc.description.abstractThis essay examines melancholy/hüzün in three overlapping contexts: as a historical condition of modernity, in aesthetic production, and as a cultural condition. In Pamuk's writing, melancholizing becomes a creative deviceto explore European and Islamic influences on historical and aesthetic connotations of hüzün that the city holds in its essence.en_US
dc.identifier.issn0027-1276
dc.identifier.urihttp://hdl.handle.net/11693/38034
dc.language.isoEnglishen_US
dc.source.titleMosaicen_US
dc.titleMelancholy and hüzün in Orhan Pamuk's İstanbulen_US
dc.typeReviewen_US

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