Cinema and politics: Turkish cinema and the new europe (2009)

dc.citation.epage202en_US
dc.citation.issueNumber2-3en_US
dc.citation.spage195en_US
dc.citation.volumeNumber10en_US
dc.contributor.authorDeğim, İ. A.en_US
dc.date.accessioned2018-04-12T13:52:50Z
dc.date.available2018-04-12T13:52:50Z
dc.date.issued2013en_US
dc.departmentDepartment of Fine Artsen_US
dc.description.abstractThe discussion of Turkish identity both within the boundaries of the country and outside has been a part of an ongoing debate since Turkey began the long and still-unfinished process of accession to the European Union. Turkish identity, having a multi-layered structure, is connected to various religious, political and social systems that complicate the process of defining 'the Turk' and where he or she might stand within a given context. When projected onto the cinema screen, this issue takes on a whole new perspective that both harmonizes a certain aesthetic value while also showing the struggle of 'Turkish' characters in society. What is more, the question of origin and ethnic roots comes into play, as in the case of 'Turkish' directors who were born and/or who have lived in Europe, such as Nuri Bilge Ceylan and Fatih Akin.en_US
dc.identifier.doi10.1386/seci.10.2-3.85_2en_US
dc.identifier.issn1741-1548
dc.identifier.urihttp://hdl.handle.net/11693/38318
dc.language.isoEnglishen_US
dc.publisherIntellect Ltd.en_US
dc.relation.isversionofhttps://doi.org/10.1386/seci.10.2-3.85_2en_US
dc.source.titleStudies in European Cinemaen_US
dc.titleCinema and politics: Turkish cinema and the new europe (2009)en_US
dc.typeReviewen_US

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