An ethics of images: the distant

dc.citation.epage112en_US
dc.citation.spage101en_US
dc.contributor.authorMutman, M.en_US
dc.date.accessioned2019-02-11T09:03:55Z
dc.date.available2019-02-11T09:03:55Z
dc.date.issued2006-01-01en_US
dc.departmentDepartment of Communication and Designen_US
dc.description.abstractThe rapid development of private media and especially television in Turkey in the last two decades has led to the emergence of a consumerist society of the spectacle. This essay offers a historical and cultural analysis of this new cultural hegemony and poses the question of the status of image in such a culture. In the first part, it offers an analysis and discussion of the status of the image in the new spectacular hegemony. In the second part, Nuri Bilge Ceylan’s award-winning film, The Distant, is interpreted as transforming the sense of image in everyday life and offering a new ethics and politics of image developed on the margins of contemporary cultural hegemony.en_US
dc.identifier.eissn1450-4154
dc.identifier.urihttp://hdl.handle.net/11693/49215
dc.language.isoEnglishen_US
dc.publisherEastern Mediterranean University, Faculty of Communication and Media Studiesen_US
dc.source.titleGlobal Media Journal: Mediterranean Editionen_US
dc.titleAn ethics of images: the distanten_US
dc.typeArticleen_US
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