Türk sinemasına İslami bir soluk getiren ikili: Ali Osman Emirosmanoğlu ve Yücel Çakmaklı

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dc.contributor.authorÖzbey, Mustafa Enes
dc.contributor.authorOğlakcı, Halit
dc.contributor.authorElmas, Zeynep
dc.contributor.authorKızılateş, Umut
dc.contributor.authorAyrenk, Enes Malik
dc.date.accessioned2024-02-02T08:55:02Z
dc.date.available2024-02-02T08:55:02Z
dc.date.issued2023
dc.descriptionAnkara : İhsan Doğramacı Bilkent Üniversitesi İktisadi, İdari ve Sosyal Bilimler Fakültesi, Tarih Bölümü, 2023.
dc.descriptionThis work is a student project of the Department of History, Faculty of Economics, Administrative and Social Sciences, İhsan Doğramacı Bilkent University.
dc.descriptionThe History of Turkey course (HIST200) is a requirement for all Bilkent undergraduates. It is designed to encourage students to work in groups on projects concerning any topic of their choice that relates to the history of Turkey. It is designed as an interactive course with an emphasis on research and the objective of investigating events, chronologically short historical periods, as well as historic representations. Students from all departments prepare and present final projects for examination by a committee, with 10 projects chosen to receive awards.
dc.descriptionIncludes bibliographical references (pages 19-20).
dc.description.abstractBu araştırmada Türk sinemasında muhafazakârlık, sağ düşünce ve İslami temaların evrimini anlama süreci amaçlanmaktadır. Türk sinemasındaki muhafazakâr düşünce ve İslami temaların yer buluş süreci, 1960'lı yıllardan itibaren sinemanın toplumsal etkilerini, muhafazakâr düşüncenin yükselişini ve sinema ile bu düşünce arasındaki etkileşimi ele almaktadır. Ali Osman Emirosmanoğlu ve Yücel Çakmaklı'nın biyografileri, sinemaya katkıları ve İslami temaları işleyişi ile önemli eserlerinin detaylı analizi ve toplumsal sanatsal etkileri de değerlendirilmektedir.
dc.description.abstractThis research focuses on understanding the evolution of conservatism, right-wing thinking, and Islamic themes in Turkish cinema. The process of the convergence of conservative thought and Islamic themes in Turkish cinema, starting from the 1960s, explores the societal impacts of cinema, the rise of conservative thought, and the interaction between cinema and this ideology. The biographies of Ali Osman Emirosmanoğlu and Yücel Çakmaklı, their contributions to cinema, and the portrayal of Islamic themes in their works are examined in a separate section. An in-depth analysis of their significant works, along with an evaluation of their societal and artistic impacts, is also provided.
dc.description.provenanceMade available in DSpace on 2024-02-02T08:55:02Z (GMT). No. of bitstreams: 1 SPB4628.pdf: 402764 bytes, checksum: 50c5f3e02768c6e095f75202c163531d (MD5) Previous issue date: 2023en
dc.description.statementofresponsibilityby Abdürrahim Özer.
dc.format.extent20 pages.
dc.identifier.itemidSPB4628
dc.identifier.urihttps://hdl.handle.net/11693/114216
dc.language.isoTurkish
dc.publisherBilkent Universityen_US
dc.relation.ispartofseriesAbdürrahim Özer, HIST 200-15 (2023-2024 Fall); 7
dc.rightsCreative Commons Attribution-NonCommercial-ShareAlikeen_US
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/4.0/en_US
dc.subjectTürk sineması
dc.subjectMuhafazakârlık
dc.subjectİslami temalar
dc.subjectMilli sinema
dc.subjectSinema ve toplum
dc.subjectTurkish cinema
dc.subjectConservatism
dc.subjectIslamic themes
dc.subjectNational cinema
dc.subjectCinema and society
dc.titleTürk sinemasına İslami bir soluk getiren ikili: Ali Osman Emirosmanoğlu ve Yücel Çakmaklı
dc.typeStudent Project

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