Self-adaptation and transnationality in Marjane Satrapi's Poulet aux prunes (2011)

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dc.citation.epage88en_US
dc.citation.issueNumber1en_US
dc.citation.spage68en_US
dc.citation.volumeNumber8en_US
dc.contributor.authorKennedy-Karpat, C.en_US
dc.date.accessioned2016-02-08T10:03:58Z
dc.date.available2016-02-08T10:03:58Z
dc.date.issued2015en_US
dc.departmentDepartment of Communication and Designen_US
dc.description.abstractMarjane Satrapi's Poulet aux prunes offers an intriguing example of self-adaptation from comics to live-action film. This essay will consider how the Franco-Iranian Satrapi, within her dual role as self-adapter and transnational filmmaker, uses intertextuality and remediation beyond her own source text in ways that pointedly expand the transnational resonance of her film. These narrative and aesthetic strategies also extend to the film's paratextual discourses, namely, the extras available on the French DVD release of the film. The book, film, and DVD paratexts related to Poulet aux prunes thus form the core of this discussion of self-adaptation and transnationality. © The Author 2014.en_US
dc.description.provenanceMade available in DSpace on 2016-02-08T10:03:58Z (GMT). No. of bitstreams: 1 bilkent-research-paper.pdf: 70227 bytes, checksum: 26e812c6f5156f83f0e77b261a471b5a (MD5) Previous issue date: 2015en
dc.identifier.doi10.1093/adaptation/apu069en_US
dc.identifier.issn1755-0645
dc.identifier.urihttp://hdl.handle.net/11693/22725
dc.language.isoEnglishen_US
dc.publisherOxford University Pressen_US
dc.relation.isversionofhttp://dx.doi.org/10.1093/adaptation/apu069en_US
dc.source.titleAdaptationen_US
dc.subjectCinemaen_US
dc.subjectComicsen_US
dc.subjectMarjane Satrapien_US
dc.subjectParatexten_US
dc.subjectSelf-adaptationen_US
dc.subjectTransnationalen_US
dc.titleSelf-adaptation and transnationality in Marjane Satrapi's Poulet aux prunes (2011)en_US
dc.typeArticleen_US

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