Browsing by Subject "Stereotypes"
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Item Open Access Gold and gold jewelry : exploration of consumer practices(Bilkent University, 2003) Ertimur, BurçakThis thesis explores consumers’ practices and experiences in relation to consumption of gold and gold jewelry. It focuses on the underlying motivations of consumers, the uses of gold and gold jewelry, and examines the practices and meanings that emerge as a result of these uses. Data were collected through qualitative research methods. The participants include twenty-four female consumers and four industry representatives. Age, income, and use of gold jewelry/coin constitute the main criteria in selection of the consumers. The findings indicate three main uses for gold and gold jewelry: Gift-giving, ornamentation, and investment. Both utilitarian and symbolic motives are identified in giving gold jewelry/coins as a gift. Whereas previous research focuses on the symbolic aspects of the gift, the findings suggest that there are utilitarian aspects as well. The practices and experiences related to the use as ornamentation illustrate the relation of gold jewelry to fashion, highlight the item’s significance for sense of self, and reveal patterns of complementarity with the product category of clothing. The exploration of the use of investment uncovers the dual function of gold jewelry, and indicates the interaction between ornamentation and investment. The study concludes with a discussion of the contributions, limitations, and implications for future research on the topic.Item Open Access Orientalism in the Victorian Era(Oxford University Press, 2017) Kennedy, Valerie; Rabinowitz, P.Orientalism in the Victorian era has origins in three aspects of 18th-century European and British culture: first, the fascination with The Arabian Nights (translated into French by Antoine Galland in 1704), which was one of the first works to have purveyed to Western Europe the image of the Orient as a place of wonders, wealth, mystery, intrigue, romance, and danger; second, the Romantic visions of the Orient as represented in the works of Samuel Taylor Coleridge, Percy Bysshe Shelley, George Gordon, Lord Byron, and other Romantics as well as in Thomas Moore’s Lalla Rookh; and third, the domestication of opium addiction in Thomas de Quincey’s Confessions of an English Opium Eater. Victorian Orientalism was all pervasive: it is prominent in fiction by William Thackeray, the Brontë sisters, Charles Dickens, Wilkie Collins, Joseph Conrad, and Rudyard Kipling, but is also to be found in works by Benjamin Disraeli, George Eliot, Oscar Wilde, and Robert Louis Stevenson, among others. In poetry Edward Fitzgerald’s Rubaiyat is a key text, but many works by Alfred Tennyson and Robert Browning also show the influence of Orientalist tropes and ideas. In theater it is one of the constant strands of much popular drama and other forms of popular entertainment like panoramas and pageants, while travel writing from Charles Kingsley to Richard Burton, James Anthony Froude, and Mary Kingsley shows a wide variety of types of Orientalist figures and concepts, as do many works of both popular and children’s literature. Underlying and uniting all these diverse manifestations of Victorian Orientalism is the imperialist philosophy articulated by writers as different as Thomas Carlyle, John Stuart Mill, and Karl Marx, supported by writings of anthropologists and race theorists such as James Cowles Pritchard and Robert Knox. Toward the end of the Victorian era, the image of the opium addict and the Chinese opium den in the East End of London or in the Orient itself becomes a prominent trope in fiction by Dickens, Wilde, and Kipling, and can be seen to lead to the proliferation of Oriental villains in popular fiction of the early 20th century by such writers as M. P. Shiel, Guy Boothby, and Sax Rohmer, whose Dr. Fu Manchu becomes the archetypal version of such figures.