Browsing by Subject "Repetition"

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Unknown
Beckett'in ayak sesleri adlı tiyatro eserinde zihinde yankılanmalar
(Ürün Yayınları, 2016) Bayrakçeken-Akın, Aylin
Footfalls was written by Saınuel Beckett in 1975 and was first peıfoımed at the Royal Court Theah·e as part of the Samuel Beckett Festival on May 20, 1976. The play was directed by Beckett himself. There are two characters. These are May (M) and her mother Voice (V). However, the audience never sees V but hears her. The ınother is paralyzed and exists only through the care of May. May never leaves hoıne and constantly walks rhythmically on a hard wood floor. The two talk about daily routines, past memories and caring where the dialogues are fragınented, absurd and repetitive. The play consists of four parts and each paıi opens with bells chiming. As the stage darkens, May begins walking on a nine step sh·ip witb a width of one metre. In each part it gets darker and at the end the stage is in darlmess. May and her mother are not there anymore.
Unknown
Ölümün gölgesindeki kadın
(Ürün Yayınları, 2013) Bayrakçeken-Akın, Aylin
In Rockaby, life is divided into four parts and aseach part comes to an end the old woman's hope of communication lessens. Therefore, she is pushed into loneliness and unhappiness. All her life becomes the monotonous and repetitive movement of a rocking chair, going back and forth since she never moves out of this chair.. Her self is divided into, consciousness or mind represented by W' s recorded voice, and her body or physical life is symbolized by the rocking chair. From the accounts of the recorded voice it becomes clear that all her life the old woman looked for a companion, a living soul, the presence of whom would give her the comfort she needed. Then, towards the end she realizes that life cannot offer her the warmth, security and darkness she searches for. She wishes to return to her mother's womb or to 'death' where she hopes to find a possible salvation.
Unknown
Repetition in film form the case of Kim Ki-Duk
(2015) Akyel, Esma
This thesis mainly deals with repetition in film form. Repetition which is a key concept shows itself in many different forms. In philosophy there are several perceptions at stake. In art forms in which it is structured systematically repetition is one of the basic elements. As for film form, there are concepts that help us to understand the function of it. The basic concern of this thesis is constructing three basic repetition types by grounding on the perceptions of repetition in philosophy by also using basic concepts of repetition in film form. These types of repetitions in film form are specified as informative, constructive and poetic repetitions. As the case study, the films of Kim Ki-duk who is an amateur-auteur director with a unique cinematic style are analyzed on the ground of these constructed types.